Juan Davila special collection

Manning Clark, A Short History of Australia, Melbourne: Macmillan, 1981 (illustrated second edition). Fine with d/w and owner's signature on half title page.

JUAN DAVILA 1296

Jonathan King, The Other Side of the Coin: A Cartoon History of Australia, Sydney: Cassell Australia, 1979 (revised edition). Good copy with owner's signature on half title page.

JUAN DAVILA 1075, JUAN DAVILA 1075a

Steve Parish, A Souvenir of Adelaide, Adelaide, Steve Parish Publishing, nd. Fine copy.

Note: used as a source for Davila's painting The Institute of Architects Bombs Adelaide, 2001 (see Benjamin, p.192).

JUAN DAVILA 1074

State Art Collection Art Gallery of Western Australia, Perth, Art Gallery of Western Australia, 1997.

JUAN DAVILA 1073

Michael Cannon, Melbourne After the Goldrush, Main Ridge: Loch Haven Books, 1993. Fine copy with d/w and owner's signature on title page.

JUAN DAVILA 0756,?JUAN DAVILA 0756a

Jolliffe's Outback Calendar 2001, Sydney: E. Jolliffe, 2000.

JUAN DAVILA 1313

The World of Antiques & Art, December 2000-June 200. Issue celebrating Australia's Federation (1901-2001). With owner's signature.

JUAN DAVILA 1310

Blue Sky Blue Bush and Silver: A Guide to the Art, Artists and Galleries of Broken Hill,Australia, Melbourne: Blue Bush Press, 1992. Fine with owner's signature on Contents page.

JUAN DAVILA 1132

John Sargent (ed.), Country Railway Stations Victoria: A Photographic Profile 1950-2000 (Pt. 3), Studfield: Train Hobby Publications, 2002.

JUAN DAVILA 1133

Anne Gray (ed.), Australian Art in the National Gallery of Australia, Canberra: National Gallery of Australia, 2002. Good copy with owner's signature on title page and owner's embossed initials.

JUAN DAVILA 1448

Nicholas Thomas, Possessions: Indigenous Art/Colonial Culture, London: Thames and Hudson, 1999. Fine with owner's signature on half title page and owner's embossed initials.

JUAN DAVILA 0757

An Australian Souvenir: Australia's Unique Animals In Color, Melbourne: Viking O'Neil, 1991. Souvenir booklet with owner's signature and embossed initials.

JUAN DAVILA 0763

The Australian Women's Weekly, The Living Bush, Sydney: Australian Consolidated Press, nd. With owner's signature and embossed initials.

JUAN DAVILA 0764

Australiain Color, Melbourne: Lloyd O'Neil, 1978. Owner's signature and embossed initials.

JUAN DAVILA 0765, JUAN DAVILA 065a

Gold Coast Queensland Australia, Melbourne: Nucolorvue Productions, nd. With owner's signature and embossed initials.

JUAN DAVILA 0760

Historic Houses Trust of New South Wales, Wool in the Australian Imagination, Sydney: Historic Houses Trust of New South Wales, 1994. Fine with owner's signature.

JUAN DAVILA 0761

James Gleeson, Australian Painters: Colonial 1788-1880 Impressionists 1881-1930Modern 1931-1970, Sydney: Lansdowne Press, 1976. Fine with d/w. Owner's signature and embossed initials on half title page.

?UAN DAVILA 0759, JUAN DAVILA 0759a

Leigh Astbury, City Bushmen: The Heidelberg School and the Rural Mythology, Melbourne: Oxford University Press, 1985. Fine with d/w. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0754

Reader's Digest Services, Australia's Yesterdays: A Look at our Recent Past, Sydney: Reader's Digest, 1974 (2^nd edition). Fine with owner's signature and embossed initials on half title page.

JUAN DAVILA 0931

Charles Nodrum Gallery, Stewart Macfarlane, 15-30 July 1994. Art catalogue with owner's signature and embossed initials.

JUAN DAVILA 1609b

Charles Nodrum Gallery, Modern Australian Paintings 1994. Art catalogue with owner's signature and embossed initials.

JUAN DAVILA 1076

Philip Jones and Peter Sutton, Art and Land: Aboriginal Sculptures of the Lake EyreRegion, Adelaide: South Australian Museum in association with Wakefield Press, 1986. Fine with owner's signature and embossed initials on half title page.

JUAN DAVILA 1433

Charles Nodrum Gallery, Central Street: An exhibition of selected paintings shown at theCentral Street Gallery in Sydney between 1966 and 1969, 23 October-14 November 1990. Art catalogue with owner's signature and embossed initials.

JUAN DAVILA 1324

National Gallery Society of Victoria, Gallery (monthly magazine of the National Gallery Society of Victoria), April 1994.

JUAN DAVILA 1429

Alan Pentland (ed.), Fast Forward: The Book. The Complete Guide to 3000 Years ofTelevision, Melbourne: Penguin Books, nd. Owner's signature and embossed initials.

JUAN DAVILA 1432

[Mathew Jones], silence = death or the lifecycle of the contemporary homosexual, actualphotos by Mathew Jones, Melbourne: 200 Gertrude Street, 1991. Fine with owner's signature and embossed initials.

JUAN DAVILA 1184

Latrobe Valley Arts Centre, Contemporary Gippsland Artists: A Touring Exhibition1990-1992, Morwell: Latrobe Valley Arts Centre, 1992. Fine with owner's signature and embossed initials.

JUAN DAVILA 0506

John Nixon, Melbourne: Pataphysics Books, 1990. With appreciations of the art of John Nixon by Mike Parr, Sue Cramer, Carolyn Barnes and John Barbour. Fine art catalogue with owner's signature and embossed initials.

JUAN DAVILA 0572

Douglas Baglin and Barbara Mullins, Australian Banksias, Wellington: A.H. & A.W. Reed, 1974. Booklet with owner? signature and embossed initials.

JUAN DAVILA 0316

Archaeology, November/December 1997. With highlighted photograph used as source by Juan Davila (see p.40).

JUAN DAVILA 0319

Allan Sierp, Colonial Life in Victoria: Fifty Years of Photography 1855-1905, Adelaide: Rigby, 1972. Fine with owner's signature and embossed initials on half title page.

JUAN DAVILA 0243

Irene E. Cohen, The Predators, Sydney: A.P. Publishing, 1978. Fine with owner's signature and embossed initials on half title page.

JUAN DAVILA 1542

Michael Cannon, Australia: A History in Photographs, Melbourne: Currey O'Neil, 1983. Fine with d/w. Owner's signature and embossed initials on title page.

JUAN DAVILA 0386

Ann Stephen, On Looking at Looking: The Art and Politics of Ian Burn, Melbourne: The Miegunyah Press, 2006. Fine copy with d/w. Owner's signature and embossed initials on title page.

JUAN DAVILA 0320

Gabrielle Pizzi, Aboriginal Paintings from the Desert: Paintings by AustralianAboriginalArtists from Papunya, Balgo Hills and Utopia, Melbourne: Gallery Gabrielle Pizzi, nd. Fine. Owner's signature and embossed initials on title page.

JUAN DAVILA 0315, JUAN DAVILA 0315a

Australians Responses to the Land. Photographs by Paul Blackmore. Introduction by David Malouf, Sydney(?): St Martin Press, 1999. Mint copy with d/w. Owner's signature and embossed initials on title page.

JUAN DAVILA 0385

Geoffrey Smith, Russell Drysdale 1912-81, Melbourne: National Gallery of Victoria, 1997. Fine. Owner's signature on title page.

JUAN DAVILA 0384

William Eisler and Bernard Smith, Terra Australis The Furthest Shore, Sydney: Australian Bicentennial Authority, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0383

David L. Eppele (ed.), Desert in Bloom, Tempe Arizona: Smith South-Western, nd. Owner's signature and embossed initials.

JUAN DAVILA 0242

Castlemaine Art Gallery and Historical Museum, Martin Lewis: Stepping into the Light, Catlemaine: Castlemaine Art Gallery and Historical Museum, 2002. Fine. Owner's signature on title page.

JUAN DAVILA 0241

Steve Waugh, Captain's Diary 2002, Sydney: HarperCollinsPublishers, 2002. Owner's signature and embossed initials on title page. Note: see image of bushfire (p.134) used as a source by Juan Davila.

JUAN DAVILA 0318

The Australian War Memorial: A Place to Remember, Sydney: Bartel Publications, 1998. Owner's signature and embossed initials.

JUAN DAVILA 0381

Alan Johnson, Australia:Land of Wonder, Melbourne: Currey O'Neil, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0382

Phil Jarratt, Aussie: Australians at Play. With an introduction by Spike Jarratt. Sydney: Kevin Weldon, 1984. Fine with d/w. Owner's signature on front end papers.

JUAN DAVILA 0951

Ron Vanderwal (ed.), The Aboriginal Photographs of Baldwin Spencer. Introduced by John Mulvaney. Selected and annotated by Geoffrey Walker. Melbourne: Currey O'Neil on behalf National Museum of Victoria, 1982.?Fair copy with d/w. Owner's signature and embossed initials on thalf title page.

JUAN DAVILA 0402

Barry Humphries, Bazza Pulls it Off!, Melbourne: Sun Books, 1971. Owner's signature on half title page.

JUAN DAVILA 0244

[John F. Waghorn], Gobur and the Golden Gate, Melbourne: John F. Waghorn, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0245

State Library of Victoria, All the Rage: The Poster in Victoria 1850-2000, Melbourne:?State Library of Victoria, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 1272

Richard Neville, Faces ofAustralia: Image, Reality and the Portrait, Sydney: Sate Library of New South Wales Press, 1992. Owner's signature and embossed initials on title page. Note:? S.T. Gill image highlighted (p.49) and used by Juan Davila as a source image.

JUAN DAVILA 1271

Michael Cannon, Perilous Voyages to the New Land, Melbourne: Today's Australia Publishing Company, 1997. Fine with d/w. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1009

Bernard Smith, Place, Taste and Tradition: A Study of Australian Art since 1788, Melbourne: Oxford University Press, 1979 (2^nd ed. rev). Very good copy with d/w. Owner's signature on half title page.

JUAN DAVILA 1056

Trading Places: Australian Travel Posters 1909-1950, Melbourne: Monash University Gallery/National Centre for Australian Studies, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0847

John Ross (ed.), Voices of the Bush: Country Australia on ABC Radio, Sydney: ABC Books, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 1278

Cook & Omai: The Cult of the South Seas, Canberra: National Library of Australia/ Humanities Research Centre The Australian National University, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 0878

Ron Appleyard, Barbara Fargher and Ron Radford, S.T. Gill: The South Australian Years1839-1852, Adelaide: Art Gallery of South Australia, 1986. Fine copy with d/w. Owner's signature and embossed initials on title page.

JUAN DAVILA 0879

Tim Flannery (ed.), The Life & Adventures of William Buckley, Melbourne: The Text Publishing Company, 2002. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0921

The Greats. The 50 men and women who most helped to shape modern Australia, Sydney: Angus & Robertson, 1986. Fine with d/w. Owner? signature and embossed initials on title page.

JUAN DAVILA 1228

John Meredith and Bill Scott, Ned Kelly after a century of acrimony, Sydney: Lansdowne Press, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 1219

Australian Album.The Way we Were: Australian Photographs 1860-1920, Sydney: Daniel O'Keefe, 1982. Fine with d/w. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0932

Greg Weight, Australian Artists: Portraits by Greg Weight, Sydney: Chapter & Verse, 2004. Fine copy with d/w. Owner? signature and embossed initials on title page. Signed dedication to Juan Davila by Pat Corrigan and signature of Greg Weight.

JUAN DAVILA 0929

Rex & Thea Rienits, A Pictorial History of Australia, London: Paul Hamlyn, 1969. Owner? signature and embossed initials on half title page.

JUAN DAVILA 1336

The Sovereign Hill Museums Association, Sovereign Hill, Ballarat: The Sovereign Hill Museums Association, 1998. Owner's signature and embossed initials.

JUAN DAVILA 1335

Keith Vincent Smith, King Bungaree, Sydney: Kangaroo Press, 1992. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1334

Ian Mudie, Australian Landscapes in Colour, Melbourne: Currey O'Neil, 1980 (new edition). Owner's signature and embossed initials on title page.

JUAN DAVILA 1333

The Australian Women's Weekly, Beautiful Australia (Volume 2), Sydney: Australian Consolidated Press, nd. Owner's signature and embossed initials.

JUAN DAVILA 1238

Ken Duncan, Australia Wide: Spirit of a Nation, Sydney: Lansdowne, 1997 (reprinted). Owner's signature and embossed initials on half title page.

JUAN DAVILA 1080

Mo? & Chandon Australian Art Foundation, Touring Exhibition 1988, Sydney: Moet & Chandon Australian Art Foundation, 1988. Owner? signature and embossed initials on half title page.

JUAN DAVILA 0849

Architectura Picta, Melbourne: George Paton Gallery, nd. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0887

John Nixon, Under the Veil of Darkness, Melbourne: Art Projects, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0886

The Institute of Modern Art, Minimalism x Six (Robert Jacks, Robert Macpherson, John Nixon, Imants Tillers, Peter Tyndall, Jenny Watson), Brisbane: The Institute of Modern Art, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0885

John Nixon, Of Blood + Hope, Melbourne: Art Projects, 1983. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0884

Donald Brook, The Social Role of Art, Adelaide: Experimental Art Foundation, 1981 (rev.ed). Owner's signature and embossed initials on title page.

JUAN DAVILA 0888

John Nixon (ed.), Notes on Art Practice, Melbourne: Art Projects, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0883

Ray Hughes Gallery, 20 Australian Artists, Sydney: Ray Hughes Gallery, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0844

Albert Tucker, Faces I have Met, Melbourne: Tolarno Galleries, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0845

[Ewen McDonald], Novel Works (Deborah Russell, Pauline Thompson, Caroline Williams), Sydney: Mori Gallery, 1986. Owner's signature and embossed initials.

JUAN DAVILA 0848

Agenda: Contemporary Art. Special Issue No. 28, Summer 1992/93. Owner's signature and embossed initials on title page.

JUAN DAVILA 0846

Agenda: Contemporary Art Magazine, Nov/Dec 1992 ? Feb 1993. Nos. 26 & 27. Owner? signature and embossed initials on title page.

JUAN DAVILA 0843

Art Monthly Australia, August 1992, September 1992 (Nos. 52 and 53). Owner's signature and embossed initials in both copies.

JUAN DAVILA 1269, JUAN DAVILA 1270

Leon Edelstein and Yanni Florence (eds), Pataphysics, Melbourne: Pataphysics, 1993. Owner's signature and embossed initials on title page. Note: includes work by Juan Davila.

JUAN DAVILA 1268, JUAN DAVILA

Heide Park and Art Gallery, The Field Now, 4 September ?21 October 1984, Melbourne: Heide Park and Art Gallery, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0850

Govett-Brewster Art Gallery, Midwest, Number One 1992, New Plymouth: Govett-Brewster Art Gallery, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0853

Kym Bonython, Modern Australian Painting, 1975/1980, Adelaide: Rigby, 1980. Fine with d/w. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1267

Tracey Moffatt, In Dreams: Mervyn Bishop Thirty Years of Photography 1960-1990, Sydney: The Australian Centre for Photography, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 1057

Pamela Hansford, Peter Tyndall: Dagger Definitions, Melbourne: Greenhouse Publications, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0919

Art Gallery of New South Wales, Recent Australian Art, 18 October-18 November 1973. Sydney: Trustees of the Art Gallery of New South Wales, 1973. Owner's signature and embossed initials on title page.

JUAN DAVILA 0852

Paul Taylor (ed.), Anything Goes: Art in Australia 1970-1980, Melbourne: Art & Text, 1984. Owner? signature and embossed initials on title page.

JUAN DAVILA 1274

Webber's Spring 1989 [edited by Ian Britain]. Owner's signature and embossed initials on title page.?Note: Inscribed copy of this inaugural issue edited by Ian Britain to Juan Davila and Graham [Graeme] Smith.

JUAN DAVILA 0851

Queensland Art Gallery, Asia-Pacific Triennial of Contemporary Art, Brisbane: Queensland Art Gallery, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0972

Tom Prior, Bill Wannan, H. Nunn, A Pictorial History of Bushrangers, Sydney: Paul Hamlyn, 1968. Owner?signature and embossed initials on half title page.

JUAN DAVILA 0314

Australian Council of National Trusts, Historic Homesteads, Canberra: Australian Council of National Trusts, 1982. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1273

Maurice and Robert Burton, Encyclopedia of Reptiles, Amphibians & other Cold-Blooded Animals, London: Octopus Books Limited, 1975. Owner's signature and embossed initials on front end paper.

JUAN DAVILA 1010

Vincent Scully, Rudolph F. Zallinger, Leo J. Hickey and John H. Ostrom, The GreatDinosaur Mural at Yale: The Age of Reptiles, New York: Harry N. Abrams, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0282

The Dinosaur Poster Book, Philadelphia: Running Press, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1565

Lindsay Nance, Prime Ministers of Australia, London : Bison Group, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0974

Vance Palmer, The Legend of the Nineties, Melbourne: Currey O'Neil, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 1077

Sotheby's, Important Aboriginal Art including property from the Louis. A. AllenCollection (auction 29 June 1998), Sydney: Sotheby's, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 1078

Sotheby's, Aboriginal Art (auction 26-7 June 2000), Sydney: Sotheby's 2000. Owner's signature and embossed initials on title page.

JUAN DAVILA 1124

Richard Magoffin, Waltzing Matilda 1895-1995, Coorparoo: Robert Brown & Associates, 1995. Owner? signature and embossed initials on title page.

JUAN DAVILA 1317

Charles Merewether, Art & Social Commitment: An End to the City of Dreams 1931-1948, Sydney: Art Gallery of New South Wales, 2000. Owner's signature and embossed initials on title page.

JUAN DAVILA 1318

Geelong Art Gallery, Painters of the Past: Colonial Art and Geelong, Geelong: Geelong Art Gallery Inc. 1991. Owner's signature of ownership and embossed initials on title page.

JUAN DAVILA 1316

Mimmo Cozzolino and G. Fysh Rutherford, Symbols of Australia, Melbourne: Penguin Books, 1987. Owner's signature and embossed initials on first preliminary page. See Kangaroos pp.54-56.

JUAN DAVILA 1315

Ballarat Fine Art Gallery, Eugene Von Guerard in Ballarat, Ballarat: Ballarat Fine Art Gallery, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1312

Albert Tucker Paintings 1945-1960 (with essay by Richard Haese), Melbourne: Tolarno Galleries, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 1134

Central Australia: The Big Country, Melbourne: Nucolorvue Productions, nd. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 1339

Wolfgang Hageney (ed.), Ethnographic: Races, Cultures, Artifacts, Costumes,Ornaments, Rome: Belvedere, 1987.

JUAN DAVILA 1563

Follow Me, Feb/March 86 (see articles on Sarah de Teliga, Neo Expressionism and Adelaide Festival Preview).

JUAN DAVILA 1435

Photo, No 274 Juillet 1990 (Special Australie).

JUAN DAVILA 1374

Zoom: TheInternational Image Magazine, nd.

JUAN DAVILA 1375

Roger Butler, Australian Prints in the Australian National Gallery, Canberra: Australian National Gallery, 1985.

JUAN DAVILA 1370

Charles Nodrum Gallery, Jim Thalassoudis Recent Work, 30 March ?17 April 1993.

JUAN DAVILA 1609c

Charles Nodrum Gallery, Tony Coleing M.A.D. Paintings, 7 ?28 March 1992.

JUAN DAVILA 1609a

Charles Nodrum Gallery, Stacha Halpern Survey 1952-1969. Exhibited Lewers Bequest & Penrith Regional Art Gallery (13 August ?26 September 1993 and Shepparton Art Gallery, 7-25 October 1993.

JUAN DAVILA 1609g

Charles Nodrum Gallery, Modern Australian Paintings 1990, 8-29 August 1990.

JUAN DAVILA 1084, JUAN DAVILA 1084a

Charles Nodrum Gallery, Modern Australian Paintings 1991, 4-29 June 1991.

JUAN DAVILA 1085

Charles Nodrum Gallery, Hard, Fast & Deep: A Peepshow of Pornographic Filth by MikeBrown, 9 November 1987.

JUAN DAVILA 1609r

Charles Nodrum Gallery, Tibor Wiener 1907-1969: Survey, 24 February ?19 March 1993.

JUAN DAVILA 1609p

Charles Nodrum Gallery, Ivor Francis Survey, 10 -31 August 1988.

JUAN DAVILA 1609o

Charles Nodrum Gallery, Australian Surrealist Paintings, 5 October ?8 November 1991.

JUAN DAVILA 1609h

Charles Nodrum Gallery, Amor Vincit Omnia: Warren Breninger, 10 -27 June 1992.

JUAN DAVILA 1609n

Charles Nodrum Gallery, Nigel Thomson, 5 -26 August 1992.

JUAN DAVILA 1609m

Charles Nodrum Gallery, Ian Howard: Images of the 20^th Century, 8 -25 September 1993.

JUAN DAVILA 1609l

Charles Nodrum Gallery, Adrienne Gaha: Recent Work, 5 -26 June 1993.

JUAN DAVILA 1609j

Charles Nodrum Gallery, Liz Coats Selected Paintings 1978-1992, 8 -29 May 1993.

JUAN DAVILA 1609k

Charles Nodrum Gallery, Australian Watercolors, Drawings, Prints 1935-1989, 1 -18 November 1989.

JUAN DAVILA 1609q

Charles Nodrum Gallery, Sadie Chandler Recent Work, 10 -30 June 1994.

JUAN DAVILA 1609i

Charles Nodrum Gallery, Gareth Sansom Selected Works ? 1965; and 1974-81, 11 -29 March 1986.

JUAN DAVILA 1609f

McClelland Art Gallery, John Vickery Cruciform Paintings, 24 November 1991 ?5 January 1992.

JUAN DAVILA 1609s

John Casamento, MzuriThe Baby Gorilla, Melbourne: The Herald & Weekly Times Limited, nd.

JUAN DAVILA 1081

Merilyn Fairskye, New York: Christopher Leonard Gallery, 1990.

JUAN DAVILA 1560

Good Weekend, 22 March 1993. Issue with article by Geraldine O'Brien, "Dollars of Colonialism?" (Aboriginal King plates) pp.26-7.

JUAN DAVILA 1082

Gallery Gabrielle Pizzi, Papunya Tula, Melbourne: Gallery Gabrielle Pizzi, 1990.

JUAN DAVILA 1083

Warlukurlangu Artists: Kuruwarri; Yuendumu Doors, Canberra: Australian Institute of Aboriginal Studies, 1987.

JUAN DAVILA 1154

Gavin Souter, A Peculiar People: The Australians in Paraguay, Sydney: Sydney University Press, 1981 (facsimile edition). Owner's signature on title page.

JUAN DAVILA 1294

Australian Bush Verse, Sydney: Lansdowne, 1997.

JUAN DAVILA 1314

Bernard Smith, European Vision and the Pacific, (2^nd edition), Melbourne: Oxford University Press, 1989. Owner's signature on first preliminary page.

JUAN DAVILA 1079

Richard Haese, Rebels and Precursors: The Revolutionary Years of Australian Art, Melbourne: Allen Lane, 1981.

JUAN DAVILA 1071

Charles Browning Hall, Old Melbourne Notebook 1852-1854, Perth: Access Press, 1996.

JUAN DAVILA 1330

The Australian Way, September 1989. Special World War II Anniversary Issue of Australian Airlines in flight magazine.

JUAN DAVILA 1337

Elwyn Lynn/Sidney Nolan, Sidney Nolan ?Australia, Sydney : Bay Books, 1979.

JUAN DAVILA 1541

Australian and International Art Monthly, Issue No. 9, April 88.

JUAN DAVILA 1214

Michel Feher (ed.) Fragments for a History of the Human Body (2 vols. Pts 1 and 2), New York: Zone, 1989.

JUAN DAVILA 1166, JUAN DAVILA 1167

George Melly and J.R. Glaves-Smith, A Child of Six Could Do it! Cartoons aboutModern Art, London: The Tate Gallery, 1977.

JUAN DAVILA 0902

Eduard Güelin, The Color Treasury of Gemstones, London: Elsevir-Phaidon, 1975.

JUAN DAVILA 1461

Jim Main and Darren Christison, Footbal1 1989: The Year in Review, Melbourne: Century Magazines, 1989.

JUAN DAVILA 1043

On the Beach, Double Issue Summer/Autumn 1984.

JUAN DAVILA 1427

Realities, Dale Frank, 13 June ?9 July 1987.

JUAN DAVILA 1431

Realities, Dale Frank: New Paintings, 19 April ?12 May 1988.

JUAN DAVILA 0762

Ian Potter Gallery, Domino I: Collaborations between Artists, 1 July ?15 August 1992.

JUAN DAVILA 1426

Sir RussellDrysdale's Australia, Sydney: Ure Smith, 1974.

JUAN DAVILA 1064

Robert Mitton, The Lost World of Irian Jaya, Melbourne: Oxford University Press, 1983.

JUAN DAVILA 1332

John Kaldor, An Australian Accent: Three Artists (Mike Parr, Imants Tillers, Ken Unsworth), New York: John Kaldor Art Project 7, 1984.

JUAN DAVILA 1218

Daniel J. Cox, Elk, San Francisco: Chronicle Books, 1992. Owner's signature on title page.

JUAN DAVILA 1220

Pataphysics, Double Issue D/E 1989.

JUAN DAVILA 1564

Agenda: Contemporary Art Magazine. Issues No. 6, August 1989

No. 16, March 1991

No. 17, May 1991 (2 copies)

No. 18, July 1991

No. 19, September 1991

No. 20 /21 November 1991/January 1992,

JUAN DAVILA 1568

JUAN DAVILA 1569

JUAN DAVILA 1570, JUAN DAVILA 1570a

JUAN DAVILA 1571

JUAN DAVILA 1572

JUAN DAVILA 1573

Peter O'Shaughnessy, Graeme Inson and Russel Ward, The Restless Years: Being someImpressions of the Origin of the Australian, Melbourne: The Jacaranda Press, 1968.

JUAN DAVILA 1561

Man as Art: New Guinea Body Decoration. Photographs by Malcolm Kirk. Introduction by Andrew Strathern. London: Thames and Hudson, 1981. Fine with d/w.

JUAN DAVILA 1562

James Oram, Hogan: The story of a son of Oz, Melbourne: Hutchinson, 1987.

JUAN DAVILA 1229

Biennale of Sydney, The 1988 Australian Biennale: From the Southern Cross: A View ofWorld Art c. 1940-88, Sydney: The Australian Broadcasting Corporation, 1988.

JUAN DAVILA 1331

Australian Centre for Contemporary Art, Conducting Bodies: Merilyn Fairskye, 20 March ?16 April 1987.

JUAN DAVILA 1343

Hans Mincham, Prehistoric Australia, Melbourne: Lloyd O'Neil, 1976.

JUAN DAVILA 1329

David Moore and Rodney Hall, Australia: Image of a Nation, Sydney: Collins, 1983. Fine copy with d/w. Owner's signature on half title page.

JUAN DAVILA 0930

Pat Cash: His life in words and pictures, Sydney: Attic Press, nd. (promotional brochure only?).

JUAN DAVILA 1217

Walter Deas, Australian Fishes in Colour, Adelaide: Rigby, 1974.

JUAN DAVILA 1066

Sporting World Series 10, Rugby?3 (survey magazine).

JUAN DAVILA 1215

Pacific Voyages: The Encyclopedia of Discovery and Exploration, New York: Doubleday, 1973.

JUAN DAVILA 1213

Rupert Russell, Where the Rainforest meets the Daintree, Sydney: Kevin Weldon/ Australian Conservation Foundation, 1985. Fine with d/w.

JUAN DAVILA 1216

Charles Nodrum Gallery, Modern Australian Paintings, 23 June ?7 July 1988.

JUAN DAVILA 1338

Sotheby's, Aboriginal and Tribal Art, 9 November 1997.

JUAN DAVILA 1308

Peter Lik, Images of Australia: Cairns, Cairns: Wilderness Press, 1996.

JUAN DAVILA 1309

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Sebastião Salgado, Terra: Struggle of the Landless, London: Phaidon, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 1015

Alex Webb, Hot Light/Half-Made World: Photographs from the Tropics, London: Thames and Hudson, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0809

Love: Moments, Intimacy, Laughter, Kinship, Sydney: Hodder Headline, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 1059

Bruce Davidson, Subway, New York: Aperture, nd. Owner's signature and embossed initials on title page. Note: image (p.19) used in Juan Davila's painting [sic] 1988. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press/Museum of Contemporary Art, 2006, p. 121.

JUAN DAVILA 0804

Mary Ellen Mark, Falkland Road: Prostitutes of Bombay, London: Thames and Hudson, 1981. Poor copy. Owner's signature and embossed initials on title page.

JUAN DAVILA 0807

William Albert Allard, Cowboys: Die Letzen ihrer Art, Zurich: Edition Stemmle, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0805

Hans Namuth, Los Todos Santeros: A Family Album of Mam Indians in the Village ofTodos SantosCuchumatán, Guatemala, C.A. 1947-1987, Berlin: Nishen, 1987. Owner's signature and embossed initials on title page. Note: image (p.42) used in Juan Davila's painting Wuthering Heights, 1990. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press/Museum of Contemporary Art, 2006, p.22.

JUAN DAVILA 0806

Nicholas Nixon, Pictures of People, New York: The Museum of Modern Art, New York, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1060

Vancouver Art Gallery, Jeff Wall 1990, Vancouver: Vancouver Art Gallery, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1356

Nan Goldin, The Ballad of Sexual Dependency, New York: Aperture, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0808

Charles Bowden, Juárez: the laboratory of our future, New York: Aperture, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 1436

Dawn Ades, Photomontage, London: Thames and Hudson, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 0766

Erika Billeter, Malerie und Photographi im Dialog, Bern: Benteli 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 1456

Follow Me, Aug/Sept 85 (Limited Edition). With special feature on laser photography. Owner's signature and embossed initials on title page.

JUAN DAVILA 1376

John Heartfield, Photomonatges of the Nazi Period, New York: Universe Books, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 0909

Newsweek, The Best of Photojournalism, New York: Newsweek Books, nd. Owner's signature and embossed initials on title page. Note: cover image used in Juan Davila's Emergency Exit, 1979. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.79.

JUAN DAVILA 1458

Walter Herdeg (ed.), Photographis80: The International Annual of Advertising andEditorial Photography, Zurich: Graphis Press, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 1455

Oppositions: Commitment and cultural identity in contemporary photography fromJapan, Canada, Brazil, The Soviet Union and The Netherlands, Rotterdam: Uitgeverij, 1990. Owner's signature and embossed initials on title page. Note: image (p.75) used in Juan Davila's painting The Lamentation, 1991. See Guy Brett and Roger Benjamin, JuanDavila, Melbourne: The Miegunyah Press and Museum of Contemporary Art , 2006, p.146.

JUAN DAVILA 1457

Susan Meiselas, NicaraguaJune 1978-July 1979, New York: Pantheon Books, 1981. Owner's signature and embossed initials on half title page. Note: image (p.65) used in Juan Davila's painting Lost Child, 1999. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.180.

JUAN DAVILA 1464

American Beauty: Photographs by David Graham, New York: Aperture, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 1465

Logan Thomas, Guns in Colour, London: Cathay Books, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 1424

Hard Corps: Studies in Leather & Sadomasochism. Text by Michael Grumley. Photographs by Ed Galluci. New York: Dutton, 1977. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1425

John Button (ed.), Look Here! Considering the Australian Environment, Melbourne: Cheshire, 1968 (photographs by Kurt Veld). Owner's signature and embossed initials on title page.

JUAN DAVILA 0817, JUAN DAVILA 0817a

Rennie Ellis, Life's a Ball, Melbourne: Currey O'Neil Ross, 1985. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0816

Adrian Angel and Fiona Macintosh, The Tiger's Milk: Women of Nicaragua, London: Virago Press, 1987. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0815

Twilight. Photographs by Gregory Crewdson. Essay by Rick Moody. New York: Harry N. Abrams, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 0814

Taliban, London: Trolley, 2003. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0920

Lucas Samaras: Sittings 1979-1980, New York: The Pace Gallery, 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 0799

Brassai: The Secret Paris of the 30's (translated from the French by Richard Miller), London: Thames and Hudson, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 0803

National Art Gallery New Zealand, Barbara Kruger, Wellington, National Art Gallery, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0802

Paul Taylor, 'After Andy: SoHo in the Eighties', Melbourne: Schwartz City, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0800

ArtForum International, May 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0801

Helmut Newton, White Women, London: Quartet Books, 1976. Fine copy. Owner's signature and embossed initials on title page.

JUAN DAVILA 1016

Nikolas Muray, Muray's Celebrity Portraits of the Twenties and Thirties, New York: Dover Publications/International Museum of Photography, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0798

Life Library of Photography, Photojournalism, New York: Time Inc. 1971. Owner's signature and embossed initials on title page.

JUAN DAVILA 0026

Edward-Lucie Smith, Adam: The Male Figure in Art, London: Weidenfeld & Nicolson, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0054

The Best of Life, New York: Avon Books/Time Inc. 1973. Owner's signature and embossed initials on title page.

JUAN DAVILA 0022

The Hurrell Style: 50 Years of Photographing Hollywood. Photographs by George Hurrell. Text by Whitney Stone. New York: John Day, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 0025

A Matter of Colour: Documentary of the Struggle for Racial Equality in the USA, Harmondsworth: Penguin Books, 1965. Owner's signature and embossed initials on title page.

JUAN DAVILA 0024

Andy Warhol's Exposures. Photographs by Andy Warhol. Text by Andy Warhol with Bob Colacello, London: Arrow Books, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0027

J. Krivine, Juke Box Saturday Night, London: New English Library, 1977. Owner's signature and embossed initials on title page. Note: images (pp.84 and 106) used in Juan Davila's painting The Wurlitzer, 1978. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.76.

JUAN DAVILA 1263

Arthur Zich, The Rising Sun, Alexandria, Virginia: Time-Life Books, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 0811

Photo - Discourse, Sydney: Sydney College of the Arts, 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 1020

Christopher Makos, White Trash, New York: Stonehill Publishing, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 1019

Andy Blackford, Disco Dancing Tonight, London: Octopus Books, 1979. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0810

Helmut Newton, Special Collection: 24 Photo Lithos, London: Quartet Books, 1979. Owner's signtuare and embossed initials on title page.

JUAN DAVILA 0945

Alistair Thain, Skin Deep: The Portraits of Alistair Thain, London: Viking, 1991. Fine copy with d/w. Owner's signature and embossed initials on title page.

JUAN DAVILA 0946

Once Upon a Collins Street. Photography by Robyn Ilsa Lea. Written by Andrew Anastasios. Illustrations by Jenny Tyers. Melbourne: Hoyne Design, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 1548

Avedon: Photographs 1947-1977, London: Thames and Hudson, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 1260

Bruce Bernard (ed.), Century, London: Phaidon, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 1014

Barbara Kruger, We won't play nature to your culture, London: Institute of Contemporary Arts/Kunsthalle Basel, 1983. Owner's signature on title page. Note: image (p.19) used in Juan Davila's painting Self Portrait/Nixon Parr Sherman Kruger/YourGaze Hits the Side of My Face, 1984. See Paul Taylor (ed.), Hysterical Tears: JuanDavila, London: GMP, 1985, p.98.

JUAN DAVILA 1326

Barbara Kruger: The Trips of Power. Text by George Alexander. Sydney: Australian Centre of Photography, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0571

San Francisco Museum of Modern Art, Portraits of Artists/Faces Photographed. From the Permanent Collection. San Francisco: San Francisco Museum of Modern Art, 1984.

JUAN DAVILA 1325

Photofile, Winter 1984. (Australian Centre for Photography)

JUAN DAVILA 1291

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Carlos Zéfiro, Life of a Stripper (facsimile of 'a uniqueunder-the-counter booklet designed by Carlos Zefiro in the mid 50s'). This a special edition printed for Zefiro's first American exhibition at Danceteria, 1 November, 1984. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0275

Paolo Baciliero, The Talking Head, New York: Catalan Communications, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1322

Spider-Man Annual, London: Marvel Comics Group, 1983. Owner's signature and embossed initials.

JUAN DAVILA 1624

Nazario, Anarcoma, New York: Catalan Communications, 1983. Owner's signature and embossed initials on title page. Note: image (p.61) used in Juan Davila's painting SelfPortrait/Nixon Parr Sherman Kruger/Your Gaze Hits the Side of My Face, 1984. See Paul Taylor (ed.), Hysterical Tears: Juan Davila, London: GMP, 1985, p.98.

JUAN DAVILA 1253

Edwin Fisher, Mort Gerberg and Ron Wolin (eds), The Art in Cartooning: Seventy-fiveYears of American Magazine Cartoons, New York: Charles Scribner's Sons, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 1346

Scott O'Hara (ed.), SeXplorers: the guide to doing it on the road, San Francisco: PDA Press, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 1353

Steam: A Quarterly Journal for Men, Vol.3, Issue 2, Summer 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0279

Steam: A Quarterly Journal for Men, Vol. 3 Issue 3, Autumn 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0278

Steam: A Quarterly Journal for Men, Vol.3, Issue 4, Winter 1995/96. Owner's signature and embossed initials on title page.

JUAN DAVILA 0280

Nigel Llewellyn, The Art of Death: Visual Culture in the English Death Ritual c.1500 -c.1800, London: Reaktion Books in association with The Victoria and Albert Museum, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0293

Bernard Letu (ed.), Pierre Molinier, Verona: Arnoldo Mondadori, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0352

Pierra Molinier, Winnipeg: Plug In Inc, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0504, JUAN DAVILA 0504a

Barbara Jones and William Ouelette, Erotic Postcards, London: Macdonald and Janes, 1977. Fine with d/w. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0355

James Gardiner, A Class Apart: The Private Pictures of Montague Glover, London: Serpent's Tail, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0358

Paul Verhaeghe, Love in a time of Loneliness: Three Essays on Drive and Desire, London: Rebus Press, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0291

John Waters, Shock Value: A Tasteful Book About Bad Taste, London: Fourth Estate, 1991. Owner's signature on half title page.

JUAN DAVILA 0356

Marjorie Garber, Vested Interests: Cross-Dressing & Cultural Anxiety, New York: HarperCollins, 1993. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0281

Michel Foucault, The Use of Pleasure (Volume 2 of The History of Sexuality), New York: Pantheon Books, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0292

Paul Foss, Paul Taylor, Allen S. Weiss, Phantasm and Simulcra: The Drawings of PierreKlossowski (Special Issue of Art & Text), Melbourne: Art & Text, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1136

Georges Bataille, The Tears of Eros, San Francisco: City Lights Books, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1135

Semiotext (E), Polysexuality, Vol. IV No. I, New York: Semiotext (E), 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 0353

Phyllis & Eberhard Kronhausen, A Gallery of Erotic Art, Toronto: Bantam Books, 1974. Owner's signature and embossed initials on title page. Note: image (p.25) used in Juan Davila's installation Juanito Laguna, 1995. See Guy Brett and Roger Benjamin, JuanDavila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.56.

JUAN DAVILA 0270

Georges Bataille, L'Ėrotisme, Paris: Les Editions de Minuit, 1957. Owner's signature and embossed initials on title page.

JUAN DAVILA 0880

Jan Åke Pettersson, Odd Nerdrum: Storyteller and Self-Revealer, Oslo: Aschehoug, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 1256

Ted Polehemus, Body Styles, London: Lennard Publishing, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1117

Christopher Wroblewski, The Art & Craft of Tattoo, Amsterdam: Dragon's Dream, 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 1250

Chris Wroblewski, Skin Shows: The Art of Tattoo, London: W.H. Allen, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 1089

Research, Modern Primitives: An Investigation of Contemporary Adornment & Ritual, London: Re/search Publications, 1989. Owner's signature and embossed initials on Contents page.

JUAN DAVILA 1249

Simon Watney, Fantastic Painters, London: Thames and Hudson, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 1244

F. Valentine Hooven III, Tom of Finland: His Life and Times, New York: St Martin's Press, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 1169

F. Valentine Hooven III, Beefcake: The Muscle Magazines of America 1950-1970, Cologne: Benedikt Taschen, 1995. Owner's signature on half title page. Note: cover image used in Juan Davila's painting Lost Again, 2000. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.188.

JUAN DAVILA 1320

Tom of Finland Foundation, Tom of Finland Retrospective, Los Angeles: Tom of Finland Foundation, 1989. Owner's signature and embossed initials on Preface page.

JUAN DAVILA 1248

Tom of Finland Foundation, Tom of Finland Retrospective II, Los Angeles: Tom of Finland Foundation, 1991.

JUAN DAVILA 1116

John S. Barrington (ed.), The Tom Album, [Los Angeles: Tom of Finland Foundation, 1974]. Owner's signature and embossed initials on p.1.

JUAN DAVILA 1113

Tom of Finland, Sightseeing the Guards, Kake (13); Sex on the Train, Kake (16); Pleasure in the Park, Kake (20); Oversexed Office, Kake (26). Owner's signature and embossed initials in each.

JUAN DAVILA 1319

New Giant Kake 4. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0273

Kake & Luftpiraten, no date, place or publication details. Owner's signature and embossed initials on cover.

JUAN DAVILA 0274

The Sheriff, Sean Illustrated Novel. No publisher or place and date of publication indicated. Owner's signature and embossed initials on p.1.

JUAN DAVILA 1254

Tom of Finland, The Original Tom of Finland's Circus. No publisher or place and date of publication indicated. Owner's signature and embossed initials on title page.

JUAN DAVILA 1255

Tom of Finland, Köln: Benedikt Taschen, 1992. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1251

The Best of Tom, No. 4. No publisher or place and date of publication indicated. Owner's signature and embossed initials on [p.1].

JUAN DAVILA 1112

Tom of Finland, Ringo & The Renegades, New York: QQ publishing 1973. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0368

Tom No.1. Nine different erotic Kake stories in one magazine. Printed by Graham Dicks, NSW, Australia. Owner's signature and embossed initials on title page.

JUAN DAVILA 0351

The Men, Aseda: Revolt Press, nd. Owner's signature and embossed initials on p.2

JUAN DAVILA 0350

Domino Lady, Seattle: Eros Comix, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 1111

Jeffrey Cooper, The Nightmare on Elm Street Companion: The Official Guide toAmerica's Favorite Fiend, New York: St Martin's Press, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 1185

Alan G. Frank, The Movie Treasury: Tales of Terror in the Cinema, London: Octopus Books, 1974. Owner's signature and embossed initials on verso of front end paper.

JUAN DAVILA 1357

Fangoria, Nos. 94 (July 1980), 25 (February 1983) and 95 (August 1990). Owner's signature and embossed initials on cover pages.

JUAN DAVILA 1118, JUAN DAVILA 1347, JUAN DAVILA 1348

HorrorFan, Winter 1989 (1^st anniversary collector's edition). Owner's signature and embossed initials on p.3.

JUAN DAVILA 1119

Phil Edwards, Shocking Cinema, Mentmore Press. Owner's signature and embossed initials on title page.

JUAN DAVILA 1345

Peter Jones, Solar Wind, Limpsfield: Paper Tiger, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0505

Boris Vallejo's Mythology Calendar 1990, New York: Workman Publishing, 1990. Owner's signature and embossed initials on front cover.

JUAN DAVILA 0958

Michael [Jackson], Michael in Concert. Souvenir Edition. Stokie (Illinois): Publications International, 1984. Owner's signature and embossed initials.

JUAN DAVILA 0962

Michael Whelan, Michael Whelan's Works of Wonder, New York: Ballantine Books, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0953

The Orbit Poster Book, London: Futura Publications, 1987. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0957

Ré-éditions, 20 ans de faits divers, Paris: La bibliothèque du Kiosque, nd. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0956

Raw Vision 4: International Journal of Intuitive & Visionary Art, Spring 1991. Produced in collaboration with The Outsider Archive, London. Owner's signature and embossed initials on title page.

JUAN DAVILA 0412

Count Ottokar of Wittgenstein, 'The "Element Picture Series" and their Use in Psychiatry and Psychotherapy', Series 9, in Psychopathology and Pictorial Expression: AnInternational Iconographical Collection, Sandoz. Owner's signature and embossed initials.

JUAN DAVILA 0955

Jean Delay and Robert Volmat, 'Madness and its Aesthetic Expression', Series 11, in Psychopathology and Pictorial Expression: An International Iconographical Collection, Sandoz. Owner's signature and embossed initials.

JUAN DAVILA 0954

Shock XPress, Vol.3 Issue 1, Summer 1989. Owner's signature and embossed initials on title press.

JUAN DAVILA 1349

Vendredi 13. Ce Jour La, Tout Peut Basculer. Mensuel No. 1 Mai 1988. Owner's signature and embossed initials on p.1.

JUAN DAVILA 1350

Anne Digby, Ghostbusters, Sydney: Ashton Scholastic, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 1245

Brad Benedict, The Blue Book, London: Vermilion, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1247

Brad Benedict, Fame: Portraits of Celebrated People, London: Elm Tree Books. Owner's signature and embossed initials on title page.

JUAN DAVILA 1351

Bert Randolph Sugar and George Napolitano, Wrestling's Great Grudge Matches, New York: Gallery Books, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1252

George Napolitano, Championship Wrestling: Masters of Mayhem, London: Bison Books, 1991.

JUAN DAVILA 1559

Wrestling Today, Spring 1993. Owner's signature and embossed initials on p.3.

JUAN DAVILA 1097

The Death of Superman in Superman No. 75 January 1993. Owner's signature and embossed initials on [p.1]. Also The Super Hero in Super Color in Superman No. 14. Owner's signature and embossed initials on title page.

JUAN DAVILA 1090

Boxing Monthly, Volume 4 Issue 11 March 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 1098

The Ring, Volume 3, No. 1 Special Issue/Collector's Edition (no date of issue). Owner's signature and embossed initials on p.5.

JUAN DAVILA 1131

Donna, 12 Dicembre 1993 (with feature on tattoos). Owner's signature and embossed initials.

JUAN DAVILA 1092

Savage, No. 1 Premier Issue (Tattoo Flash Special), Owner's signature and embossed initials on Contents page.

JUAN DAVILA 1091

Pierre et Gilles, Koln: Benedikt Taschen, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 1088

Power, July 1989. Owner's signature and embossed initials on Contents page.

JUAN DAVILA 1087

Daniel P. Mannix, Freaks: We Who Are Not as Others, San Francisco: Re/Search Publications, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1086

James Gardiner, Who's a Pretty Boy Then? One Hundred & Fifty Years of Gay Life inPictures, London: Serpent's Tail, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 1340

Charles Burns, Hard-Boiled Detective Stories, London: Penguin Books, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1342

J.M. DeMatteis and Scott McDaniel, Batman Two-Face, New York: DC Comics, 1995. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 1611

John Byrne, Batman 3D, New York: DC Comics, 1990. Owner's signature and embossed initials on Contents page.

JUAN DAVILA 1377

RankXerox, Happy Birthday, Lubna. Illustrated by Tanino Liberatore. Story by Stefano Tamburini. Barcelona (?): Catalan Communications, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1352

Rebecca Micca Warner, Tarot: An Illustrated Guide, London: Academy Editions, 1974.Owner's signature and embossed initials on title page.

JUAN DAVILA 0501

Hans Bellmer, Petite Anatomie de L'Inconscient Physique ou L'Anatomie de L'Image, Paris: Le Terrain Vague, 1977. Owner's signature and embossed initials on p.7. (photocopy only).

JUAN DAVILA 1593

Assorted bundle of comic books: various titles (11 issues). All with owner's signature and embossed initials. Two sets photocopies Japanese issue comic books each with owner's signature and embossed initials.

JUAN DAVILA 1634

Portraits from the Outside: figurative expression in outsider art, New York: Groegfax Publishing, 1990. Owner's embossed initials on title page. Inscription to Juan Davila on half title page.

JUAN DAVILA 0503

Rainer Werner Fassbinder, Querelle Filmbuch, Munich: Schirmer/Mosel, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0507

Anthony Frewin, One Hundred Years of Science Fiction Illustration 1840-1940, London: Bloomsbury Books, 1974. Owner's signature and embossed initials on title page.

JUAN DAVILA 0961

Eric Kroll (ed.), The Art of Eric Stanton for the man who knows his place, Köln: Taschen, 1997. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0949

Jean Boscos, Affiches de Corrida: Petites histories de toros et de toreros, Paris: Editions Plume, 1996. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0756

Begoña Torres González, El Cartel Taurino: Quites entre sol y sombra, Madrid: Electa, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0646

Geoff Weedon and Richard Ward, Fairground Art: The Art Forms of Travelling Fairs, Carousels and Carnival Midways, New York: Artabras, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0753

Alberto Vargas, Vargas, Berlin: Benedikt Taschen, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0755

Kyoichi Tsuzuki (ed.), Traffic Art, Kyoto: Kyoto Shoin International, 1990. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0751

Frank Miller, MGM Posters: The Golden Years, Atlanta: Turner Publishing Inc., 1994.Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0750

Priya Mookerjee, Pathway Icons: The Wayside Art of India, London: Thames and Hudson, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0645

Roye, Rhapsody in Colour, London: The Camera Studies Club, nd. Inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0933

[Album of erotic photographs]. Undated and untitled small oblong cloth covered album of original photographic prints of erotic subjects. Owner's signature on front cover.

JUAN DAVILA 0578

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

John Willett, The New Sobriety 1917-1933: Art and Politics in the Weimar Period, London: Thames and Hudson, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 1409

Mikhail Guerman, Art of the October Revolution, Leningrad: Aurora Art Publishers, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 1450

John Tisa (ed.), The Palette and the Flame: Posters of the Spanish Civil War, New York: International Publishers, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 1401

Peter Adam, Art of the Third Reich, New York: Harry N. Abrams, 1992 Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1408

Zbynek Zeman, Selling the War: Art and Propaganda in World War II, London: Orbis Publishing, 1982. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1449

Philip S. Foner and Reinhard Schultz, The Other America: Art and the Labour Movementin the United States, New York: Journeyman Press, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1410

Stuart Wrede, The Modern Poster, New York: The Museum of Modern Art, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1440

Decade of Protest: Political Posters from the United States, Viet Nam, Cuba 1965-1975, Santa Monica: Smart Art Press, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 1411

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Suzanne Slesin, Over the Top: Helena Rubinstein, New York: Pointed Leaf Press, 2003. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1439

Dilys E. Blum, Shocking! The Art and Fashion of Elsa Schiaparelli, Philadelphia Museum of Art, 2003. Owner's Signature and embossed initials on half title page. Note: marked pages (pp.176-7 and pp. 210-11) reproduce costumes worn by Juan Davila's aunt Patricia Lopez Willshaw. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.30 and p. 245.

JUAN DAVILA 1555

The World of Interiors, June 2004 (see 'Surreal Schiaparelli', pp. 138-141).

JUAN DAVILA 1297

Oro Plata: Embroidered Costumes of the Bullfight, Paris: Editions Assouline, 1997. Owner's signature and embossed initials on preliminary page. (purchase Hill of Content Bookshop, Melbourne $110.00).

JUAN DAVILA 1558

Sylvie Raulet, Jewelry of the 1940s and 1950s, New York, Rizzoli, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 1557

Patricia Corbett, Verdura: The Life and Work of a Master Jeweler, London: Thames & Hudson, 2002. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1444

Claire Wilcox, Vivienne Westwood, London: V&A Publications, 2004. Owner's signature and embossed initials on title page.

JUAN DAVILA 1390

Aileen Ribeiro, Dress in Eighteenth-Century Europe 1715-1789, New Haven: Yale University Press, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 1395

Aileen Ribeiro, The Art of Dress: Fashion in England and France 1750-1820, New Haven: Yale University Press, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 1396

Madeleine Delpierre, Dress in France in the Eighteenth Century, New Haven: Yale University Press, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 1392

Francois Boucher, A History of Costume in the West, London: Thames and Hudson, 2004. Owner's signature and embossed initials on title page.

JUAN DAVILA 1397

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Antonio Berni: Obra pictórica 1922-1981, Buenos Aires: Museo Nacional de Bellas Artes, 1984.

JUAN DAVILA 0096

Gustavo Buntinx and Luis Eduardo Wuffarden, Mario Urteaga 1875-1957: CatálogoRazonado, Trujillo, Festival de las Artes de Trujillo, 1987. Owner's signature on preliminary page.

JUAN DAVILA 0108

Musee National d'Art Moderne, Adami, Paris: Musee National d'Art Moderne, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0097

Hubert Damisch and Henry Martin, Adami, New York: Leon Amiel, 1974. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 1039

Ticio Escobar, Osvaldo Salerno, Alfredo M. Seiferheld, La Guerra del 70: Una VisionFotografica, Asunción: Museo del Barro, 1985.Owner's signature and embossed initials on half title page.

JUAN DAVILA 1535

Bonifacio del Carril, El Gaucho: Su origin. Su personildad. Su vida, Buenos Aires: Emecé Editores, 1993.

JUAN DAVILA 1534

Robert J. Moore, Jr, Native Americans: A Portrait. The Art and Travels of Charles BirdKing, George Catlin, and Karl Bodmer, New York: Stewart, Tabori & Chang, 1997. Owner's signature on first preliminary page.

JUAN DAVILA 1537

Nuno Saldanha and Agostino Araújo, Jean Pillement 1728-1808 et le paysagisme auPortugal au XVIIIème siècle, Lisbonne: Fundação Ricardo do Espirito Santa Silva, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 1038

Maria Concepción García Sáiz, Las Castas Mexicanas: Un Género Pictórico Americano, Mexico City: Olivetti, 1989. Owner's Signature and embossed initials on first preliminary page.

JUAN DAVILA 1037

Eik Kahng and Marianne Roland Michel, Anne Vallayer-Coster, Painter to the Court of Marie-Antoinette, Yale University Press in association with the Dallas Museum of Art, 2002. Owner's signature and embossed initials.

JUAN DAVILA 1035

Jonathan Brown and Susan Grace Galassi, Goya's Last Works, New York: The Frick Collection in association with Yale University Press, 2006. Owner's signature and embossed initials on title page.

JUAN DAVILA 0900

Eduardo Arroyo, Madrid: Museo Nacional Centro de Arte Reina Sofia, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0095

Guillermo Enrique Hudson, La Tierra Purpúrea, Buenos Aires: Zurbaran Ediciones, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 0094

Alexander Deinka: Paintings, Graphic Works, Sculptures, Mosaics, Excerpts from theArtist's Writings, Leningrad: Aurora Art publishers, 1982.

JUAN DAVILA 1258

Hilde Bach, Indian Love Paintings, New Delhi: Lustre Press, 1985.

JUAN DAVILA 0111

Dawn Ades, Art in Latin America: The Modern Era, 1820-1980, London: The South Bank Centre, 1989. Owner's signature on half title page. Note: image (p.19) used in Juan Davila's painting The Barricade, 1989. Image (p.38) used in Davila's painting TheAndean Inhabitant, 1994. Image (p.133) used in Davila's painting Hybrid Venus, 1989.Image (p.267) used in Davila's paintings Wuthering Heights I, 1990, Guacolda delCarmen Gallardo, 2004 and Carmen Gallardo, 2005. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, pp.128, 13, 126, 22, 209 and 239.

JUAN DAVILA 0092

Romantique: Erotic Art of the Early Nineteenth Century, Amsterdam: The Pepin Press, 2000. Owner's signature on half title page.

JUAN DAVILA 1261

Dreams of Spring: Erotic Art in China from the Bertholet Collection, Amsterdam: The Pepin Press, 1997. Owner's signature and embossed initials on front end paper.

JUAN DAVILA 1266

Os Negros em Portugal - sécs.XV a XIX, Lisbon: Mosteiro dos Jerónimos - Instituto Portugues do Património Arquitectónico, 1999.

JUAN DAVILA 0112

Guy C. McElroy, Facing History: The Black Image in American Art 1710-1940, San Francisco: Bedford Arts, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1265

Topaze, Nos. 2 - 25, 1931-32. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.140. See also Juan Davila's paintings El Liberator, 1996-97 and El Café Haití, 1997 (Brett and Benjamin, pp.174-5) which draw on images and idea presented in Topaze.

JUAN DAVILA 0093

Cabichui: periodico de la Guerra de la triple alianza, Asunción: Museo del Barro, 1984.

JUAN DAVILA 1536

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Margaret Courtney-Clark, The Art of an African Tribe, New York: Rizzoli, 1986. Owner's signature and embossed initials on half title page. (purchased $125.00)

JUAN DAVILA 0707

Cecile Beurdeley, L'Amour Bleu, New York: Rizzoli, 1978. Owner's signature and embossed initials on front end paper.

JUAN DAVILA 0706

René Perrot, Tapisseries, Dessins, Peintures, Gravures de René Perrot, Paris: Dessain et Tolra, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0703

Belle Design and Decoration, No. 97 February-March 1990. Owner's signature and embossed initials.

JUAN DAVILA 0705

Sheila Pickles, The Complete Victorian Treasury, London: Pavilion Books, 1989. Owner's signature and embossed initials on title page. Fine with d/w.

JUAN DAVILA 0901

Glorious Inspiration: Kaffe Fasset's Neddlepoint Source Book, Sydney: Random House,1991. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1033

Susan Stronge, The Arts of the Kingdoms, London: V&A Publications, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 1012

Wilfriede Seipel, Das Weltbild der Zizenhausener Figuren, Konstanz: Verlag Freidr. Stadler, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 1011

Shirley Barber's Australian Birds 2003 Calendar. Owner's signature and embossed initials.

JUAN DAVILA 0898

Martin Battersby, The Decorative Thirties (revised and edited by Philippe Garner), New York: Whitney Library of Design, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1013

Dan Klein, All Colour Book of Art Deco, London: Octopus Books, 1974. Owner's signature and embossed and embossed initials on title page.

JUAN DAVILA 0842

Julian Rothenstein and Mel Gooding (eds), The Playful Eye, Melbourne: Viking, 1999. Owner's signature and embossed initials on preliminary page. Note: image (p.6) is a reference point for Juan Davila's painting Lost Again, 2000. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.188.

JUAN DAVILA 0709

Design from Scandinavia No. 4, Scandinavian Interiors, Copenhagen: World Pictures, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0711

Charlotte & Peter Fiell, Modern Chairs, Koln: Benedikt Taschen, 1993. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0708

Harriet and Helena Scott, Historical Drawings of Moths and Butterflies, Sydney: Craftsman House, 1988. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1551

Mark Burns & Louis Di Bonis, Fifties Homestyle: Popular Ornament of the USA, New York: Harper & Row, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0606

Memory Jockisch Holloway and Irena Zdanowicz, Max Klinger: Love, Death and theBeyond, Melbourne: National Gallery of Victoria, 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 0605

Rudolf Lumm, Voltstunft Bauernmalerei, Stuttgart: Frech-Verlag, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0704

Stuart Spencer, The Art of Marbling, Melbourne: Greenhouse Publications, 1988. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0604

Michael Brand and Chuch Phoeurn, The Age of Angkor: Treasures from the National Museumof Cambodia, Canberra: Australian National Gallery, 1992. Owner's embossed initials on title page.

JUAN DAVILA 0710

Stephen Calloway, Art Deco: Interior and Panel Designs, New York: Crescent Books, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1540

Ad. and M.P. Verneuil, Abstract Art Patterns and Designs, New York: Crescent Books, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1539

Faces of Culture: Viewer's Guide, Huntington Beach: KOCE-TV Foundation, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1430

Chloë Sayer, Mexican Patterns: A Design and Source Book, London: Studio Editions, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1549

Patricia Bayer, Art Deco Interiors: Decoration and Design Classics of the 1920s and1930s, London: Thames and Hudson, 1990. Owner's signature and embossed initials on front end paper.

JUAN DAVILA 1454

Ernest Lehner, Symbols, Signs & Secrets, New York: Dover Publications, 1969. Owner's signature and embossed initials on title page.

JUAN DAVILA 1498

Rudolf Modley, Handbook of Pictorial Symbols, New York: Dover Publications, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 1493

Noël Riley, Tegels de Geschiedenis van de Decoratieve Aardewerktegel, London: Quintet Publishing, MCMLXXXVII. Owner's signature and embossed initials o, Contents page. Note: for influence of the decorative appeal of tile design on Davila's visual sensibility see his painting Self-portrait, 1991 in Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of Contemporary Art, 2006, p.150.

JUAN DAVILA 1494

Pierre Skira, Still Life: A History, New York: Rizzoli, 1989. Owner's signature and embossed initials.

JUAN DAVILA 1550

Jean Lipman and Alice Winchester, The Flowering of American Folk Art (1776-1876), Philadelphia: Courage Books in association with The Whitney Museum of American Art, 1987. Owner's signature.

JUAN DAVILA 0964

Jean Lipman, Robert Bishop, Elizabeth V. Warren, Sharon L. Eisenstat, Five Star FolkArt: One Hundred American Masterpieces, New York: Harry N. Abrams in association with The Museum of American Folk Art, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0965

Alison Harding, Ornamental Alphabets and Initials, London: Thames and Hudson, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1487

The Dawn of the Golden Age: Northern Netherlandish Art, 1580-1620, Paris: Beaux Arts in association with Rijksmuseum, Amsterdam, 1993. Owner's signature and embossed initials.

JUAN DAVILA 1488

Pierre Frey Paris, Accessoires Maison: Collection Automne 2003. Promotional brochure issued by Pierre Frey Paris, 2003. Owner's signature and embossed initials

JUAN DAVILA 1489

Pierre Frey Paris, Accessoires: Collection Printemps 2003, Promotional brochure issued by Pierre Frey Paris, 2003. Owner's signature and embossed initials.

JUAN DAVILA 1490

Janet Woodbury Adams, Decorative Folding Screens in the West from 1600 to thePresent Day, London: Thames and Hudson, 1982. Owner's signature and embossed initials on half title page.

JUAN DAVILA 1492

Redoute's Roses, Köln: Taschen, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 1495

Yvonne Brunhammer, The Nineteen Twenties Style, London: Cassell, 1987. Owner's signature and embossed initials of ownership on half title page.

JUAN DAVILA 0262

Antonio Sanchez Casado (ed.), El Kitsch Español, Madrid: Ediciones Temas de Hoy, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1491

Christine E. Jackson, Bird Painting: The Eighteenth Century, Woodbridge: Antique Collectors' Club, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0963

Jonathan Elphick, Birds: The Art of Ornithology, London: Scriptum Editions in association with the Natural History Museum, 2004. Owner's signature and embossed initials on title page.

JUAN DAVILA 0499

Penny Olsen, Feather and Brush: Three Centuries of Australian Bird Art, Melbourne: CSIRO Publishing, 2001. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0968

Archibald Thorburn, The Complete Illustrated Thorburn's Birds, Ware: Wordsworth Editions, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0966

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Bruid van de zon, America:500 jaar Latijns-Amerika en de Lage Landen, Antwerp: Imschoot Books, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0744

Album de las pinturas que representan el nacimiento, vida, Milagros, santidad y ultimo trance de Nuestro serafico Padre San Francisco, ejectadas hace tres siglos para la OrdenFranciscana de Santiago de Chile y en cuyo Convento se hallan, Zurich: Moulinette, 1971. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0934

Orozco! 1883-1949, Oxford: Museum of Modern Art, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0748

Bruno Vidal, Arte Marcial, Santiago: Ediciones Carlos Porter, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0637

Claude Gay, Album d'un voyage dans la Republique du Chili, Paris: E. Thunot, MDCCCIV. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0935

W.J. Phillipps, Maori Carving Illustrated, Auckland: Reed, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0141

Pita Graham (comp.), Maori Moko or Tattoo, Auckland: The Bush Press of Auckland, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0140

Jennifer Heath, Black Velvet: The Art We Love to Hate, San Francisco: Pomegranate Artbooks, 1994. Owner's signature and embossed initials on Contents page.

JUAN DAVILA 0138

Chéri Samba: A Retrospective, Ostende: PMMK in association with the Institute of Contemporary Arts London, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0143

Chloë, Sayer, Arts and Crafts of Mexico, London: Thames and Hudson, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0153

Sara Facio, Maria Cristina Orive and Miguel Angel Asturias, Actos de Fe en Gautemala, Buenos Aires, Instituto Salesiano de Artes Gráficas. Owner's signature and embossed initials on title page.

JUAN DAVILA 0101

Sotheby's, Latin American Paintings, Drawings, Sculpture and Prints. Part I and Part II. New York 17- 18 May 1994. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0642, JUAN DAVILA 0643

Sotheby's, Constructivist Art from Latin America, New York 25 November 1997. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0641

Sotheby's, Latin American Art, New York 25-26 November 1997.

JUAN DAVILA 0644

Sotheby's, Latin American Art from the Barratt-Brown Collection, New York, 25 November 1997.

JUAN DAVILA 0190

Hélio Oiticica, Minneapolis: Walker Art Center, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0638

Rachel Doggett (ed.), New World of Wonders: European Images of the Americas, Washington: The Folger Shakespeare Library, 1992. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0639

Jill Hughes, Aztecs, London; Hamish Hamilton, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0103

Chile 100 Anos Artes Visuales: Primer Periodo 1900-1950, Modelo y Representación; Segundo Periodo 1950-1973 Entre Modernidad y Utopia; Tercer Periodo 1973-2000Transferencia y Densidad, Santiago: Museo Nacional de Bellas Artes 2000. Three volumes in slipcase. Owner's signature and embossed initials in each volume.

JUAN DAVILA 0745, JUAN DAVILA 0746, JUAN DAVILA 0747

Torres-Garcia, Madrid: Museo Nacional Centro de Arte Reina Sofia, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0640

Manuel Alvarez Bravo: Photographs and Memories. Essay by Frederick Kaufman. New York: Aperture Foundation, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0749

An Exhibition of Paintings and Graphic Works dedicated to the Victims of the Junta. Cambridge: Kettle's Yard Gallery, nd. Two broadsheets with essays and biographical notes on artists represented in the exhibition. Owner's signature and embossed initials. Note: this photocopied form of the catalogue was one of a number of copies circulated by hand in Chile during the period of the military regime. Rare and important in this fugitive form.

JUAN DAVILA 0099

Jack Pizzey, Sweat of the Sun Tears of the Moon: In South America with Jack Pizzey, Sydney: ABC Enterprises, 1987. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0115

Emir Rodríguez Monegal, Noticas Secretas y Publicas de America, Barcelona: Tusquets Editores, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0113

Arte Lo major en la historia de la Pintura y Escultura en Chile, Santiago: Editorial Antarctica, 1984. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0098

Waldo Rasmussen, Latin American Artists of the Twentieth Century, Seville: The Museum of Modern Art, 1992. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0102

Bradley Smith, Mexico: A History in Art, New York: Doubleday, 1968. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0985

Helen Escobedo (ed.), Mexican Monuments: Strange Encounters, New York: Abbeville Press, 1989. Owners signature and embossed initials on half title page.

JUAN DAVILA 0104

Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, London: Laurence King Publishing, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0100

Diego Rivera: A Retrospective, Detroit: Founders Socity Detroit Institute of the Arts in association with W.W. Norton, 1986. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0142

Emanoel Araújo (ed.), O Universo Mágico do Barroco Brasileiro, São Paulo: Galeria de Arte do Sesi, 1998. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0114

Francisco Oller Un Realista del Impresionismo, Puerto Rico: Museo de Arte de Ponce, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0116

Mexico: Splendors of Thirty Centuries, New York: The Metropolitan Museum of Art and Bulfinch Press, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0987

La Escuela de Santiago: La Decada de Los Ochenta, Santiago: Fondo de Desarrollo de la Cultura de Educación. Note: a set of postcards of works by Chilean artists (the School of Santiago) exhibited in Santiago in 1993. The exhibition included Juan Davila's El Libertador Simon Bolívar, 1993. The work provoked an international incident with official complaints from Venezuela, Bolivia, Colombia and others to the Chilean President. See Guy Brett and Roger Benjamin, Juan Davila, Melbourne: The Miegunyah Press and Museum of contemporary Art, 2006, p.160 and rear cover.

JUAN DAVILA 0648

Carmen Bernand, Les Incas, peuple du Soleil, Paris: Gallimard, nd.

JUAN DAVILA 0016

Alain Gheerbrant, LAmazone un géant blessé, Paris: Gallimard, nd.

JUAN DAVILA 0015

Les cités perdues des Mayas, Paris: Gallimard, nd.

JUAN DAVILA 0014

Bernard Oudin, Villa, Zapata et le Mexique en feu, Paris: Gallimard, nd.

JUAN DAVILA 0018

Museo Nacional de Artes Visuales, L'Autre a Montevideo: Homenaje a Isidore Ducasse, Montevideo: Barreiro y Ramos S.A. 1993.Owner's signature and embossed initials on title page.

JUAN DAVILA 0019

Carlos Fuentes, The Orange Tree (translated from the Spanish by Alfred Mac Adam), London: Andre Deutsch, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0020

Ronald Wright, Stolen Continents, London: Pimlico, 1993. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0010

Edward Lucie-Smith, Latin American Art of the 20^th Century, London: Thames and Hudson, 1993. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0008

Carlos Clérice, Roser Bru, Luis Seoana, Adolfo Nigro, Cuatro ilustraciones de MartínFierro, Santiago: Centro Cultural de España - Santiago de Chile, 1997. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0017

Jim Heimann (ed.), Mexicana: Vintage Mexican Graphics, Köln, Taschen, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 0013

Mark Dinneen (ed.), Brazilian Popular Prints, London: Redstone Press, 1995. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0021

Nancy Hathaway, Native American Portraits 1862-1918, San Francisco: Chronicle Books, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0136

Arturo Duclos: Recent Paintings. Essay by Dan Cameron, Paris: Jean-Marc Patras Galerie, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0184

Arturo Duclos: Recent Paintings, Paris: Les Cahiers des Regards, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0185

Arturo Duclos: El ojo de la mano, Santiago: Osculum Infame Editores, 1996. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0197

Le Mythe Tragique de la Vedette en el Night Club: Pinturas recientes de Arturo Duclos-Pablo Langlois, Santiago: Galeria Gabriela Mistral 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0139

International Flash Art, Vol. XXVIII, May-June 1995. With article on Arturo Duclos, p.100.

JUAN DAVILA 0135

Sobre Arboles y Madres, Santiago: Galeria Gabriela Mistral, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0134

Carlos Capelan, 400 metros al Norte del Kiosco del Morazán, San José:TEOR/eTica, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0181

Paz Errazuriz Photography: Nomads of the Sea. Photographs of Paz Errazuriz. Sydney: artspace visual arts centre, 1998. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0976

[Paz Errazuriz], La Manzana de Adan (Adam's Apple), Santiago: Zona Editorial, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0199

Francisco Zegers (ed.), El Infarto del Alma: Diamela Eltit - Paz Errazuriz, Santiago:Francisco Zegers, 1994. With inscription to Juan Davila from Paz Errazuriz, December 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0215

Juan Pablo Sutherland (comp.), A Corazón Abierto: Geografía Literaria de laHomosexualidad en Chile, Santiago, Santiago: Editorial Sudamerica, 2001. With inscription to Juan Davila from John Pablo Sutherland. Owner's signature and embossed initials on Dedication page.

JUAN DAVILA 0196

Rafael Cidoncha Interiores Museos de Madrid. Con un texto de Luis Antonio de Villena. Madrid: Guillermo de Osma Galería, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0193

Carlos Capelán: kartor och landskap, Lund: Lunds Konsthall, 1993. With inscription by Carlos Capelán. Owner's signature and embossed initials on title page.

JUAN DAVILA 0198

Carlos Capelan "fecit", Escazu: Galería Jacob Karpio, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0191

De memoria: Montes de Oca, Oyarzun, Rueda, Santiago: LOM Ediciones, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0189

Gonzalo Diaz,Quadrivium: Ad usum Delphini, Santiago: Galeria Gabriela Mistral, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0380

Ronald Kay, Del Espacio de Aca: A próposito de la pintura y la gráfica de EugenioDittborn, Santiago: Editores Asociados, 1980. With inscription to Juan Davila by Ronald Kay, 18 November 1980. Owner's inscription and embossed initials on half title page. Note: Juan Davila states that this book is a fundamental text for the discussion of the avant-garde of the 1970s and 1980s in Chile.

JUAN DAVILA 0134

Juan Pablo Sutherland, Santo Roto, Santiago: LOM Ediciones, 1999. With inscription to Juan Davila by Juan Pablo Sutherland. Owner's signature and embossed initials on preliminary page. Note: Reproduction on cover of Juan Davila's painting (detail) Lost, 1999. Also present printed card with full color reproduction of Lost, 1999.

JUAN DAVILA 0023

Jose Campeche and his Time, Puerto Rico: Museo de Arte de Ponce, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0144

Diana Fane (ed.), Converging Cultures: Art & Identity in Spanish America, New York: The Brooklyn Museum in association with Harry N. Abrams, 1996. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0145

Enrique Molina and Jorge Glusberg, Luis Fernando Benedit: Memorias Australes, Buenos Aires: Ediciones Philippe Daverio, 1990. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0137

Images of Mexico: The Contribution of Mexico to 20^th Century Art, Dallas: Dallas Museum of Art, 1988. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0378

Alfredo Vilchis Roque. Infinitas Gracias: ContemporaryMexicanVotive Painting, Paris: Editions du Seuil, 2003. Owner's signature and embossed initials on title page.

JUAN DAVILA 0212

Gloria Fraser Giffords, The Art of Private Devotion: Retablo Painting of Mexico, Fort Worth: Intercultura and The Meadows Museum, 1991. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0607

Gloria Fraser Giffords, Mexican Folk Retablos (revised edition), Albuquerque: University of New Mexico, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0195

Olivier Debroise, Elisabeth Sussman and Matthew Teitelbaum, The Bleeding Heart, Boston: The Institute of Contemporary Art, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0214

Gloria in Excelsis: The Virgin and Angels in Viceregal Paintings of Peru and Bolivia, New York: Center for Inter-American Relations, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0192

Las Castas Mexicanas: Un Genero Pictorico Americano. Exhibition catalogue Museo Franz Mayer, 3 May-30 June 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1062

Gonzalo Diaz (ed.), Unidos en la gloria y en la Muerte Museos Nacional de Bellas Artes, Santiago: Ediciones de la Cortina de Humo, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0380

Instituto Sabogal de Arte, José Sabogal, Lima: Instituto Sabogal de Arte, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0186

Klaus, Gallwitz, Fernando Botero, London: Thames and Hudson, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 0213

José Manuel Caballero Bonald, Botero La Corrida, Madrid: Lerner & Lerner, 1989. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0377

Fernando Botero: Recent Painting, London: Marlborough Fine Art, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0376

Gabriel Garcia Márquez, El general en su laberinto, Madrid: Mondadori, 1989. With inscription to Juan Davila (from Julia Husson) and owner's signature and embossed initials on half-title page. Loosely inserted photograph of Juan Davila and Julia Husson.

JUAN DAVILA 0106

Carlos Droguett, PatAs de perro, Barcelona: Seix Barral, 1965. First Edition. Owner's signature and embossed initials on title page.

JUAN DAVILA 0090

Roberto Bolano, By Night in Chile, London: Harvill Press, 2003. Translated into English by Chris Andrews. Owner's signature and embossed initials on title page.

JUAN DAVILA 0081

Guy Brett, Through our own Eyes: Popular Art and Modern History, London: Heretic, 1987. Owner's signature on half-title page.

JUAN DAVILA 0105

Anne Marie Hocquenghem, Iconografica Mochica, Lima: Pontificia Universidad Catolica del Peru, 1987. Owner's signature and embossed initials on title page. Note: this book has been of special interest to Davila as a source for images and ideas. A number of the graphic images have been used in several pictures such as Retablo (1989) and Guacoldadel Carmen Gallardo (2004).

JUAN DAVILA 0088

Eduardo Carrasco, Matta conversaciones, Santiago: Cesoc, 1987. Owner's signature on first preliminary page.

JUAN DAVILA 0080

The Art of Frida Kahlo. 1990 Adelaide Festival. Adelaide: Adelaide Festival in association with the Art Gallery of Western Australia and the Art Gallery of South Australia, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0107

Frida Kahlo und Tina Modotti, Berlin: Verlag Neue Kritik, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0109

Isabel Alcántara and Sandra Egnolff, Frida Kahlo and Diego Rivera, Munich: Prestel, 2005. Owner's signature and embossed initials on title page.

Hayden Herrera, Frida: A Biography of Frida Kahlo, New York: Harper Row, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0082

Images of Frida Kahlo. Introduction by Angela Carter, London: Redstone Press, 1989. Boxed set of cards and accompanying booklet.

JUAN DAVILA 0089

Martha Zamora, Frida Kahlo: The Brush of Anguish, San Francisco: Chronicle Books, 1990. Owner's signature and embossed initials on blank preliminary page. Fine copy with dustwrapper.

JUAN DAVILA 0977

Rodolfo Opazo, Santiago: Museo Nacional de Bellas Artes, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0087

Eugene Baatsoslanii Joe and Mark Bahti, Navajo Sandpainting Art, Marceline: Walsworth, Publishing Company, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0077

J. H. Elliott (ed.), The Hispanic World, London: Thames and Hudson, 1991. Owner's signature and embossed initials on half-title page. Fine copy with dustwrapper.

JUAN DAVILA 0984

Catálogo General Colección Pintura y Escultura Latinoamericana, Caracas: Museo de Belles Artes de Caracas, 1978. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0085

Lawrence Gustave Desmond and Phyllis Mauch Messenger, A Dream of Maya: Augustusand Alice Le Plongeon in Nineteenth-Century Yucutan, Albuquerque, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0086

Ojo de Buey, Nos. 1 and 2 (1987 and 1988), Santiago: Instituto de Comunicación. Owner's signature and embossed initials.

JUAN DAVILA 0611, JUAN DAVILA 0612

Martin Gusinde Cazador de Sombras: Exposicion Conmemorativa Centenario delNatalicio del R.P. Martin Gusinde Hentschel S.V.D. (1886-1969), Santiago: Biblioteca Nacional, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0613

Charles Merewether, A Marginal Body: the Photographic Image in Latin America, Sydney: The Australian Centre for Photography, 1987. Owner's signature and embossed initials on title page. And a second copy.

JUAN DAVILA 0695, JUAN DAVILA 0695a

John Hemming, Amazon Frontier: The Defeat of the Brazilian Indians, London: Macmillan, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0079

3ra Bienal de Trujillo: Catalogo General, Trujillo: Festival de las Artes de Trujillo, 1987. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0610

Shifra M. Goldman, Dimensions of the Americas: Art and Social Change in LatinAmerica and the United States, Chicago: The University of Chicago Press, 1994. Owner's signature and embossed initials on title page. Author's signature.

JUAN DAVILA 0091

Justo Pastor Mellado, Das Notas Sobre LasSerigrafas de Nury Gonzalez (1985-1986), Santiago, 1985. Owner's signature. Small pamphlet.

JUAN DAVILA 0083

Estación Perdida: Mario Soro - Manuel Torres Instalaciones/Pinturas, Santiago: Galeria Gabriela Mistral, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0078

Winding Paths: Photographs by Bruce Chatwin. Introduction by Robert Calasso, London: Jonathan Cape, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0084

Osvaldo Salerno, Paraguay: artesanía y arte popular, Asunción:Museo del Barro, 1986.

JUAN DAVILA 0549

Mirko Lauer (ed.), El Reformismo Burgues (1968-1976), Lima: Mosca Azul, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0554

Marcelo Mellado, El Huidor (La Novela del Arte), Santiago: Ojo de Buey, 1992. With author's inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0538

Georges Dumézil, Escitas y Osetas: Mitología y sociedad, Mexico City: Fondo de Cultura Económica, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0555

Nicanor Parra, Poemas y Antipoemas, Santiago: Editorial Nascimento, 1972. Signed by author. Owner's embossed initials on blank preliminary page.

JUAN DAVILA 0528

Jorge Lloret, Sonandote, Santiago: Talleres de Editora Ganzio, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0566

Carlos Monsiváis, Escenas de Pudor y Liviandad, Mexico City, Colección narrativa grijalbo, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0546

Carlos Monsiváis, Entrada libre: Crónicas de la sociedad que se organiza, Mexico City: Ediciones Era, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0551

George Pendle, A History of Latin America, Harmondsworth: Penguin Books, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0534

Manuel Puig, El beso de la mujer Araña, Barcelona: Seix Barral, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0542

Beltran Ferrer, Sras, Santiago: Nanker, 1992. Inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0552

Mario Vargas Llosa, La Tia Julia y el Escribidor, Barcelona: Seix Barral, 1978. Insscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0541

Mario Vargas Llosa, La Tia Julia y el Escribidor, Buenos Aires: Bolsillo, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0532

Mario Vargas Llosa, Historia de Mayta, Barcelona: Seix Barral, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0540

Nelly Richard, Masculino/Femenino: Prácticas de la differencia y cultura democrática, Santiago: Francisco Zegers, 1993. Owner's signature and embossed initials on title page. Another copy also.

JUAN DAVILA 0914

Nelly Richard, La Estratificacion de los Margenes, Santiago: Francisco Zegers/Melbourne: Art & Text, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0569, JUAN DAVILA0569a

Nelly Richard, La Insubordinacion de los Signos, Santiago:Editorial Cuarto Propio, 1994. Author inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0573

Nelly Richard, Residuos y Metaforas: Ensayos de critica cultural sobre el Chile de laTransición, Santiago: Editorial Cuarto Propio, 1998. Author inscription to Juan Davila tipped in. Owner's signature and embossed initials on title page.

JUAN DAVILA 0567

Cuentan las mujeres, Lima: Instituto_Goethe, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0535

Carmen Berenguer et al (comps.), Escribir en los Bordes: Congreso Internacional deLiteratura Femenina Latinoamericana 1987, Santiago: Editorial Cuarto Propio, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0533

Juan Pablo Sutherland, Angeles negros, Santiago: Planeta, 1994. Author inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0529

Octavio Paz, Alternating Current, London: Wildwood House, 1974. Owner's signature and embossed initials on title page.

JUAN DAVILA 0539

Joaquín Edwards Bello, Homo Chilensis: Seleccion y Prologo Alfonso Calderón, Valparaíso: Ediciones Universitarias de Valparaíso, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0543

Jaime Bayly, La noche es virgen, Barcelona: Editorial Anagrama, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0553

Diamela Eltit, Los Vigilantes, Santiago: Editorial Sudamericana, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0550

Diamela Eltit, E. Luminata, Santa Fe: Lumen, 1997. Translated by Ronald Christ. Inscribed to Juan Davila from Ronald Christ. Owner's signature and embossed initials on title page.

JUAN DAVILA 0778

José María Arguedas, Yawar Fiesta, Santiago: Editorial Universitaria, 1968. Owner's signature and embossed initials on title page. Note: This novel was an influence in the composition of Davila's painting Yawarfiesta (Fiesta Sanggrienta), 1998.

JUAN DAVILA 0557

José María Arguedas, El Zorro de Arriba y el Zorro de Abadjo, Lima: Editorial Horizonte, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0558

José María Arguedas, El Sexto, Buenos Aires, Editorial Losada, 1974. Owner's signature and embossed initials on title page.

JUAN DAVILA 0537

José María Arguedas, Los ríos profundos, Buenos Aires, Editorial Losada, 1957. Owner's signature and embossed intials on half-title page.

JUAN DAVILA 0530

Joaquín Edwards Bello, El Roto, Santiago: Editorial Universitaria, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0575

Pablo Neruda, Memoirs, London: Penguin Books, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0556

Sergio Villalobos R., A Short History of Chile, Santiago: Editorial Universitaria, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0531

Sergio Villalobos R., Chile y su Historia, Santiago: Editorial Universitaria, 1995. Owner's signature and embossed initials on half-title page. Front cover missing.

JUAN DAVILA 0559

Germán Bravo, 4 Ensayos y un Poema, Santiago: Intemperie, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 0775

Augusto Mijares, El Libertador, Caracas: Academia Nacional de la Historia, 1987. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0780

Ricardo Herren, Bolívar, Barcelona: Planeta, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0790

Jorge Luis Borges, Historia universal de la infamia, Madrid: Alianza Editorial, 1971. Inscription. Owner's embossed initials on half-title page.

JUAN DAVILA 0792

Jorge Luis Borges, El informe de Brodie, Buenos Aires: Emecé, 1970. Owner's signature and embossed initials on title page.

JUAN DAVILA 0791

Olga Grau (ed.), Ver Desde La Mujer, Santiago: Ediciones La Morada, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0783

Josefina Ludmer (comp.), Las culturas de fin siglo en América Latina, Buenos Aires: Beatiz Viterbo, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0784

Estrella de Diego, El Andrógino Sexuado: Eternos ideales, nuevas estrategias de género, Madrid: Visor, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0636

Alejandro Jodorowsky, Albina y los hombres-perro, Caracas: Dolmen Ediciones, 1999. Inscription to Juan Davila. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0635

Adolfo Couve, Cuarteto de la infancia, Buenos Aires: Seix Barral, 1996. Inscription to Juan Davila. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0631

Garcia Düttman, La discordia del sida, Madrid: Anaya & Mario Muchnik, 1995. Author's inscription to Juan Davila on first preliminary page. Owner's signature and embossed initials on title page.

JUAN DAVILA 0773

Teresa Bustos Montt (ed.), Objetos Caidos: Revista de Psioanálisis, Santiago: Universidad Diego Portales, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 0776

Pedro Lemebel, La Esquina es mi Corazon, Santiago: Editorial Cuarto Propio, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0633

Carlos Fuentes, Terra Nostra, Barcelona: Seix Barral, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 0630

Sally Baker (ed.), Art of the Americas: The Argentine Project, New York: Baker & Co., 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0771

Guy Brett and Sean Cubitt, Camino Way: The Airmail Paintings of Eugenio Dittborn, Santiago: Grupo Editorial Zeta, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0787, JUAN DAVILA 0787a

Doris Meyer, Victoria Ocampo: Against the Wind and the Tide, New York: George Braziller, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0779

Lluís Sala-Molins, Sodom al alba de la filosofía del derecho, Mexico City: Fontamara, nd. Photocopy only. Owner's signature and embossed initials. On title page.

JUAN DAVILA 0782

Walterio Millar, Historia de Chile, Santiago: Zig-Zag, 1986. Owner's signature and embossed initials on title page. And a second copy missing front cover.

JUAN DAVILA 0777

Carles Santos, Castello: Espai dArt Contemporani de Castello, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0544

Juan Luis Moraza, Ma (non è) Donna, Madrid: Galleria Elba Benitez, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0548

Debate Feminista, Vol.1 No.1. Marzo 1990 (Mexico). Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0545

Anibal Quíjano, Modernidad, Identidad Yutopia en America Latina, Lima: Sociedad & Politica Ediciones, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0632

Mirko Lauer, Introduccion a la Pintura Peruana del Siglio XX, La Paz: Mosca Azul Editores, 1976. Owner's signature and embossed initials on title page. Pages loose.

JUAN DAVILA 0634

Mirko Lauer, El sitio de la Literatura: Escritoires y política en el Perú del siglio XX, Lima: Mosca Azul, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0562

Mirko Lauer (mod.), Frente al Peru Oligarquico (1928-1968), Lima: Mosca Azul, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 0547

Ticio Escobar, Colombino: la forma y la historia, Asunción: El Lector, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0564

Ticio Escobar, El mito del arte y el mito del pueblo: Cuestiones sobre arte popular, Asunción: Museo del Barro, 1981. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0574

Ticio Escobar, Mision:Etnocidio, Ascunión: RP Ediciones, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1055

Carlos Colombino, Kamba Ra'Anga: Las últimas mascaras, Asuncion: Museo del Barro, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0560

Marcelo Mayorga, Trafico: Escritos de época, Santiago: Ediciones Documentas, nd [1990?]. With author's inscription to Juan Davila Willshaw. Owner's signature and embossed initials on title page.

JUAN DAVILA 0536

Gary Jennings, Aztec, London: Arrow Books, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0561

Hugo Salazar del Alcazar, Teatro y Violencia, Lima: Centro de Documentacion y Video Teatral, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0563

Temas 14: Estudios de la Cultura, Havana: 1987. Owner's signature and embossed initials on vewrso of front cover.

JUAN DAVILA 0576

Mercedes López-Baralt, El Mito Taíno: Levi-Strauss en las antillas, Rio Padres: Ediciones Buracán, 1985. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0065

Margenes, Vol. III Nos.5/6, December 1989.Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0038

Pier Paolo Pasolini, Amado mío precedido por Actos Impuros, Barcelona: Seix Barral, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0037

Rodrigo Canovas, Lihn, Zurita, Ictus, Radrigan Literatura Chilena y ExperiencaAutoritaria, Santiago: FLACSO, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1042, JUAN DAVILA 1042a

Benjamin Arditi, El Deseo de la Libertad y la cuestión del otro, Ascunsión: RP Ediciones, 1974. Author's inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0034

Benjamin Arditi, Discutir el Socialismo, Ascunsión: RP Ediciones, 1988. Author's inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0036

Olga Blinder et al, Arte Actual en el Paraguay 1900-1980, Ascunsión: Ediciones IDAP, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0063

Antonio Skármeta, Burning Patience, London: Methuen-Mandarin, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0067 JUAN DAVILA

Federlese, Nos. 20/21, June 1985. Owner's signature and embossed initials on Contents page.

JUAN DAVILA 0042

Rolf Foerster, Jesuitas y Mapuches 1593-1767, Santiago: Editorial Universitaria, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 0062

Mapuche!, Santiago: Museo Chileno de Arte Precolombino, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0004

Arica diez mil años, Santiago: Museo Chileno de Arte Precolombino, nd. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0028

Oculto. El Universo Paralelo, No. 21, nd. Owner's signature on cover.

JUAN DAVILA 0005

Paz Errazuriz, Photography 1983-2002, Santiago: Paz Errázuriz Körner, 2004. Author's inscription to Juan Davila on half-title page. Owner's signature and embossed initials on title page.

JUAN DAVILA 0976

Mapuche Fotografías siglos XIX y XX: Construcción Montaje de un Imaginario, Santiago: Pehuén, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 0055

Nigel Davies, The Aztecs: A History, London: Macmillan, 1973. Owner's signature and embossed initials on title page.

JUAN DAVILA 0785

J.H. Parry, The Discovery of South America, Melbourne: Oxford University Press, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0003

Sebastiã Gasch, Wifredo Lam a París, Barcelona: Ediciones Poligrafa, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 0774

Panorama de la Pintura Chilena desde Los Precursores Hasta Montparnasse, Santiago: Corporacion Cultural de las Condes, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0789

Raymond Carr (ed.), Spain: A History, Oxford: Oxford University Press, 2000. Owner's signature and embossed initials on title page.

JUAN DAVILA 0772

Heinz Mode, Fabulous Beasts and Demons, London: Phaidon, 1975. Owner's signature on half-title page.

JUAN DAVILA 0786

Third World Guide 91/92: Facts, Figures, Opinions, Montevideo: Instituto del Tercer, 1990. Owner's signature and embossed initials on dedication page.

JUAN DAVILA 0781

Cine Cubano: 30 Años en Revolución, Havana: Graphic Publications, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0788

Fernando Castro Flórez, Franz Kafka, Barcelona: Julio Ollero, 1990. Author's inscription to Juan Davila.Owner's signature and embossed initials on title page.

JUAN DAVILA 0860

Hacer Arte a la Cubano Ciro Quintana, Havana: Centro Provincial de Artes Plásticas y Diseño, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 1063

Charles Merewether, Portrait of a Distant Land: Aspects of Contemporary LatinAmerican Photography, Sydney: The Australian Centre for Photography, 1984 (Catalogue of exhibition, 12 September-7 October 1984). Owner's signature and embossed initials on title page.

JUAN DAVILA 0216, JUAN DAVILA 0216a

Las Castas Mexicanas: Un Genero Pictorico Americano, Museo Franz Mayer, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0188, JUAN DAVILA 1062

Realismo Social en el Arte Uraguayo 1930-1950, Montevideo: Museo Municipal de Bellas Artes, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0861

Joaquin Torres García, Cataluña Eterna: Bocetas y dibujos para los frescos de laDisputación de Barcelona, Barcelona: Fundacion Torres Garcia, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 1072

Tercera bienal de la Habana '89 Catalogo, Havana: Editorial Letras Cubanas, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 1276, JUAN DAVILA 1145

World Art: The Magazine of Contemporary Visual Arts, No. 13. Owner's signature and embossed initials on p.1.

JUAN DAVILA 1223

Holliday T. Day and Hollister Sturges, Art of the Fantastic: Latin America, 1920-1987, Indianapolis: Indianapolis Museum of Art, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 1279

María Teresa Pomar, El Dia Los Muertos/ The Life of the Dead in Mexican Folk Art, Fort Worth: The Fort Worth Art Museum, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 1227

Gavin Younge, Art of the South African Townships, London: Thames and Hudson, 1988. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1280

Julian Rothenstein (ed.), J.G. Posada, Messenger of Mortality, London: Redstone Press, 1989. Loosely tipped in Exhibition Guide to Posada: Messenger of Mortality, South Bank Centre Exhibition. Owner's signature and embossed initials on preliminary page. Note: Image on p.168 used in Juan Davila's painting Wuthering Heights, 1990 held Queensland Art Gallery.

JUAN DAVILA 1284

Roberto Berdecio and Stanley Appelbaum (eds), Posada's Popular Mexican Prints, New York: Dover Publications, 1972. Owner's signature and embossed initials on title page.

JUAN DAVILA 1282

Un Siglio el la Escena, 1900-2000, Santiago: El Mercurio, 2000. Owner's signature and embossed initials on title page.

JUAN DAVILA 1246

Betty La Duke, Compañeras: Women, Art & Social Change in Latin America, San Francisco: City Light Books, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1061

De Chile a Guatemala; Diez Años America Latina. Fotos Koen Wessing. Texto Eduardo Galeano, Managua: Ediciones Monimbo, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1221

Chile Vive: Memoria Activa, Santiago: Ceneca, 1987. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 1222

Ventana a Valparaiso: Exposición Retrospectiva Grandes Valores de la Pintura Chilena, Santiago: Instituto Cultural de Las Condes, 1986. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 1225

Zelia Nuttall (ed.), The Codex Nuttall: A Picture Manuscript from Ancient Mexico, New York: Dover Publications, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 0858

Manuel Alvarez Bravo. With an Essay by A.D. Coleman. (Number Three Aperture Masters of Photography series), New York: Aperture, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0891

Francisco Frias Valenzuela, Nuevo Manual de Historia de Chile, Santiago: Zig-Zag, 1986. owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0892

Jose Luis Granese Philipps (ed.), Fotografia Chilena Contemporanea, Barcelona:Kodak, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0881

Jorge Tacla: Cuaresma en Atacama (Out of Focus), New York: Nohra Haime Gallery, 1989. Exhibition 1-18 November 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0600

Jorge Tacla: Borders, New York: Nohra Haime Gallery, 1992. Exhibition 7 April-2 May 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 1224

Chile, Santiago: Editorial Kactus, 1987. Owner's signature and embossed initials on title page.

Ray Manley's Hopi Kachinas, Tucson: Ray Manley Publishing, nd. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 1283

Julio Cortázar, La vuela al Dia en Ochenta Mundos, Santiago: Siglo Veintiuno editors, 1968. Inscription to Monica Davila from her father Eugenio Davila Saxton. Owner's signature and embossed initials on title page. Note: this book a formative influence on Juan Davila exposing him to the traditions of Latin-American literature in the 1960s.

JUAN DAVILA 0625

Paraguay Ra' Angá (Las Formas del Paraguay): Exposcion de Arte popular … Ascunión: Instituto de Cooperacion Iberoamericana, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0057

Roser Bru el deterioro y la memoria, Madrid: Galeria Aele, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 1367

Jorge Glusberg, Retórica del arte Latinamericano, Buenos Aires: Ediciones Nueva Vision. Inscription to Juan Davila from Nelly Richard, November 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0029

Elena de Bértola et al, Semiótica de las artes visuals, Buenos Aires: Centro de Arte y Comunicación, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0011

Diamela Eltit, Por la Patria, Santiago: Las Ediciones de Ornitorrinco, 1986. Owner's embossed initials on title page.

JUAN DAVILA 0035

Diamela Eltit, El Cuarto Mundo, Santiago: Planeta, 1988. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0009

Mario Zentner, 8 Grandes Bailes 8, Buenos Aires: Ediciones Kargieman, 1975. owner's signature and embossed initials on half title page.

JUAN DAVILA 0032

Gonzalo Muñoz, Este, Santiago: 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0006

Nelly Richard, Cuerpo Correccional, Santiago: 1980. Inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0609

Anteparaiso de Raũl Zurita, Santiago: Editores Asociados, 1982. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0030

Beltran Ferrer, Los Gritos, Santiago: Nanker, 1991. Inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0007

Cuadernos de Para el Analisis, No.1 December 1983. Owner's signature and embossed initials on half title page.

JUAN DAVILA 0580

15 Artistas Cubanos, Mexico City: Centro de Cultura, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0601

Revista de Critica Cultural, Nos. 1-30, 33, May 1990-November 2004, June 2006. Initially this journal was published by Juan Davila. And he later served on the editorial committee. It published article on the Chilean and Latin American intellectual scene as well as essays by Derrida, Baudrillard and others.

JUAN DAVILA 0714- JUAN DAVILA 0742

Retratos de Carlos Altamirano, undated art catalogue. Owner's signature and embossed initials on title page.

JUAN DAVILA 0031

Hecho en México (Address Book), San Francisco: Chronicle Books, 1996.Owner's signature and embossed initials on title page.

JUAN DAVILA 0033

Los Bros Hernandez, Chelo's Burden, Seattle: Fantagraphics Books, 1989. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0713

Los Bros Hernadez, Duck Feet, Seattle: Fantagraphics Books, 1989. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0712

Gilbert Hernandez, Blood of Palomar, Seattle: Fantagraphics Books, 1989. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0602

Ebe Bellange, El Mural Como Refleto dela Realidad Social en Chile, Santiago: CESOC, 1995. Owner's signature and embossed initials on title page. Note: image on p.47 used in creation of Juan Davila's Panorama of Chile, 1973-2003, 2003.

JUAN DAVILA 0603

Ivo Mesquita, Cartographies, Winnipeg: Winnipeg art Gallery, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 1264

Mapas de Chile en grabados de los siglos XVI Xvii y XVIII. (Desk diary).Santiago: Cochrane, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0647

Continente sul sur (special issue devoted to Arte latino-americana: Manifestos, documentos e textos de época), Vol.2 No.6. November 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0229

Ana Maria de Moraes Belluzo, Modernidade: Vanguardas Artísticas na América Latina, Sao Paulo: Memorial-UNESP, 1990. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0202

Enrique Zañartu: Retrospectiva 1946-1993, Santiago: Tomas Andreu, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 0227

Santiago Antes y Ahora, Santiago: Museo Histórico Nacional, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0237

Art in America. Issues present: April 1983 December 1983

March 1987

May 1988

January 1989

May 1989

July 1989

November 1989

(marked articles of special interest to Juan Davila).

JUAN DAVILA 0312

JUAN DAVILA 0239

JUAN DAVILA 0238

JUAN DAVILA 0313

JUAN DAVILA 0240

JUAN DAVILA 0348

JUAN DAVILA 0321

JUAN DAVILA 0322

Art News. Issues present: October 1990, Summer 1993

(marked articles of special interest to Juan Davila).

JUAN DAVILA 0059

JUAN DAVILA 0060

Art Forum International. October 1992 (marked articles of special interest to Juan Davila).

JUAN DAVILA 0801

Tricontinental (Selection of posters about Che Guevera, taken from the collections in Ospaaal and 'Casa de las Americas), Havana: nd. With two fine reproduction posters loosely tipped in.

JUAN DAVILA 0066, JUAN DAVILA 0066a, JUAN DAVILA 0066b

Juilo Galán, Rotterdam: Witte de With, 1990. Exhibition catalogue, 2 June-15 July 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 0040

El sueño amenazado. Arte indigena en el Paraguay: Catalogo de la Exposicion. August-October 1989. Ascunsión: Centro de Artes Visuales, 1989. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0041

Juan Francisco Elso: Por América, Saint Angel: Museo de Arte Carrillo Gil, 1990. Owner's signature and embossed initials.

JUAN DAVILA 0039

Carolina Bassi:Atravesando Todos los Ojos, Santiago: Galeria Gabriela Mistral, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0225

Carlos Altamirano: Exposición de cuadros, Santiago: Galeria Gabriela Mistral, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0223

Juan Castillo: Te Devuelvo tu Imagen, Santiago: Galeria Gabriela Mistral, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0222

Alicia Villareal, El Primer Almacigo de la Lengua, Santiago: Galeria Gabriela Mistral, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0221

Catalina Donoso and Enrique Matthey, Losa Radiante/Silabario del Ojo, Santiago: Galerie Gabriela Mistral, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0220

The Clinic, 11 September 2003. Special issue devoted to Salvador Allende.

JUAN DAVILA 0224

Cancionero Romantico y del Recuerdo, 8 October. Special issue.í

JUAN DAVILA 0308

Frida Kahlo Postcards, San Francisco: Chronicle Books, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0234

Diego Rivera Postcards, San Francisco: Chronicle Books, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0233

Museo Colonial de San Francisco, Santiago: El Museo de Arte Colonial de San Francisco, 1987. Owner's signature and embossed initials. On front preliminary page.

JUAN DAVILA 0203, JUAN DAVILA 0203a

Martha Egan, Mílagros: Votive Offerings from the Americas, Santa Fe: Museum of New Mexico Press, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0230

La Buena Noticia de nuestro Hermano y Senor Jesús contada en 18 pinturas por ClaudioGirolamo, Santiago: Museo Nacional de Bellas Artes, 2001. Inscription to Juan Davila from artist. Owner's signature and embossed initials on title page.

JUAN DAVILA 0069

Nelly Richard, La Estratificacion de los Margenes, Santiago: Francisco Zegers, 1989/Melbourne: Art & Text, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0569, JUAN DAVILA 0569a

Santiago 1900, Santiago: Museo Historico Nacional, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0061

Miguel La Borde, Calles del Santiago Antiguo, Santiago: El Mercurio, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0228

Panorama de la Pintura Chilena, Vols 1-2, Santiago: Departamento de Extensión Cultural del Ministerio de Educación. Owner's signature and embossed initials on title page.

JUAN DAVILA 0208, JUAN DAVILA 0209

Patricio Estelle, Imagineria Colonial en Chile, Santiago: Departamento de Extensión Cultural del Ministerio Educación, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0210

Museo Colonial de San Francisco, Santiago: Departamento de Extensión Cultural del Ministerio de Educatión, 1978. Owner's initials and embossed initials on title page.

JUAN DAVILA 0207

Enrique Solanich, Precursores de la Peintura Chilena, Santiago: Departamento de Extensión Cultural del Ministerio Educación, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0205

Mauricio Massone, Cultura Selknam (ONA), Satiago: Departamento de Extensión Cultural del Ministerio Educación, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0206

Trans: arts, culture, media. Vol.1 No.2. 1996. Owner's signature and embossed initials.

JUAN DAVILA 0219

Expediente Bienal X, Mexico City: Beau Geste Press, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0218

Matta y el grabado latinoamericano, Guayquil: Galeria de Arte, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0211

Arte y Fe en Chile Virreinal, Santiago: Corporacion Cultural de Las Condes, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0373

Galería EPOCA, Tres pintores, tres escultores y un poeta, Santiago: Galería EPOCA, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0236

The Broken Line, No. 4 1989. Owner's signature and embossed initials.

JUAN DAVILA 0226

Justo Pastor Mellado, Dos Textos Tacticos, Santiago: Ediciones Jemmy Button Ink, 1998. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0201

Conducta impropia, No. 1 and No.2-3, 1986-1982. two issues. Owner's signature and embossed initials.

JUAN DAVILA 0371, JUAN DAVILA 0372

Collection assorted catalogues of art and historical exhibitions in Chile and elsewhere in South America, single issues of magazines and journals, auction catalogues, guide booklets and brochures, etc. 32 items all signed by owner and with his embossed initials.

JUAN DAVILA 1604, JUAN DAVILA 1604a, JUAN DAVILA 1604b, JUAN DAVILA 1604c, JUAN DAVILA 1604d, JUAN DAVILA 1604^e, JUAN DAVILA 1604f, JUAN DAVILA 1604g, JUAN DAVILA 1604h

Shifra Goldman, 'La Segunda Bienal de la Habana Enfoca al Tercer Mundo' in Plástica No. 17 September 1989. Photocopy only.

JUAN DAVILA 1604

A large collection (168 items) of assorted clandestine art scene ephemera issued and distributed in Chile during the years of the military regime. These items were not collected systematically by Juan Davila but were gathered by him on his annual visits to Chile made in the years after his migration to Australia. These items were generally passed from hand to hand. Davila usually picked up copies of material at functions he attended (such as private showings of work by artists). The publications vary greatly in size. Some are substantial but others are small (and some fragile). Several are published in the form of typescripts (probably issued in only a few copies and passed by hand) or as roneod documents. Some quite large and important catalogues are present but many items are small. For an article on this literature see Nelly Richard, 'Margins and Institutions' in Art & Text, 21, 1985.

JUAN DAVILA 1625 - JUAN DAVILA 1633

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Ross King, The Judgement of Paris: Manet, Meissonier and an Artistic Revolution, London: Chatto & Windus, 2006. owner's signature and embossed initials on title page.

JUAN DAVILA 0266

Émile Zola, Nana, Oxford: Oxford University Press, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0267

Peter Brooks, Realist Vision, New Haven: Yale University Press, 2005. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 0272

Nancy Locke, Manet and the Family Romance, Princeton: Princeton University Press, 2001. Owner's signature and embossed initials on title page.

JUAN DAVILA 0346

Hollis Clayson, Painted Love: Prostitution in French Art of the Impressionist Era, New Haven: Yale University Press, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 0345

Eunice Lipton, Alias Olympia, London: Thames and Hudson, 1993. Owner's signature and embossed initials on title page.

JUAN DAVILA 0265

Francis Frascina et al, Modernity and Modernism: French Painting in the NineteenthCentury, New Haven: Yale University Press, 1990.

JUAN DAVILA 0343

T.J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, London: Thames and Hudson, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0269

T.J. Clark, The Absolute Bourgeois: Artists and Politics in France 1848-1851, London: Thames and Hudson, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 0268

T.J. Clark, The Painting of Modern Life: Paris in the Art of Manet and his Followers, London: Thames and Hudson, 1985. Owner's embossed initials on title page.

JUAN DAVILA 0344

Paul Hayes Tucker (ed.), Manet's le déjeuner sur l'herbe, Cambridge: Cambridge University Press, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0264

Bradford R. Collins (ed.), 12 Views of Manet's Bar, Princeton: Princeton University Press, 1996. Owner's signature and embossed initials on title page.

JUAN DAVILA 0347

Thierry de Duve et al, Jeff Wall, London: Phaidon, 1996. Owner's signature and embossed initials on title page. See Jeff Wall, 'Unity and Fragmenation in Manet', pp.78-79.

JUAN DAVILA 0670

Ambroise Vollard, Cézanne, New York: Dover Publications, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0271

Arts Council of Great Britain, Gustave Courbet 1819-1877, London: Arts Council of Great Britain, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 1402

Michael Fried, Courbet's Realism, Chicago: The University of Chicago Press, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1403

James H. Rubin, Courbet, London: Phaidon, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 1419

Sarah Faunce and Linda Nochlin, Courbet Reconsidered, New York: The Brooklyn Museum, 1988.Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1398

Juliet Wilson-Bareau (ed.), Manet by himself: paintings, prints, pastels & drawings, New York: TimeWarner Books, 2004. Owner's signature and embossed initials on title page.

JUAN DAVILA 1394

Claudia Lyn Kahan, Manet, New York: Avenel Books, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 1451

Henri Lallemand, Manet: A Visionary Impressionist, New York: Todtri, 1994. Owner's signature and embossed initials on title page.

JUAN DAVILA 1554

Gary Tinterow and Geneviève Lacambre, Manet/Velazquez: The French Taste forSpanish Painting, New York: the Metropolitan Museum of Art, 2003. owner's signature and embossed initials on title page.

JUAN DAVILA 1442

Juliet Wilson-Bareau and David Degener, Manet and the Sea, New Haven: Yale University Press, 2004. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1441

Carol Armstrong, Manet Manette, New Haven: Yale University Press, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 1393

Juliet Wilson-Bareau, Manet, Monet and the Gare Saint-Lazare, Washington: National Gallery of Art, 1998. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1400

June Hargrove and Neil McWilliam (eds), Nationalism and French Visual Culture, 1870-1914, Washington: National Gallery of Art, 2005. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1399

Michael J. Deas, The Portraits and Daguerrotypes of Edgar Allan Poe, Charlottesville: University Press of Virginia, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 1404

Jean Clair (ed.), Vienne 1880-1938: L'Apocalypse Joyeuse, Paris: Editions du Centre Pompidou, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1414

Bernard Comment, The Panorama, London: Reaktion Books, 1999. owner's signature and embossed initials on half-title page.

JUAN DAVILA 1381

Eileen Chanin and Steven Miller, Degenerates and Perverts: The 1939 Herald Exhibitionof French and British Contemporary Art, Melbourne: The Miegunyah Press, 2005. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1405

Roger Benjamin, Oriental Aesthetics: Art, Colonialism, and French North Africa 1880-1930, Berkeley: University of California Press, 2003. Owner's signature and embossed initials on Dedication page.

JUAN DAVILA 1407

Robert Rosenblum and H.W. Hanson, Art of the Nineteenth Century: Painting andSculpture, London: Thames and Hudson, 1984. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1406

Lynne Thornton, Women as Portrayed in Orientalist Painting, Paris: ACR Édition, 1985. Owner's signature and embossed initials on first preliminary page.

JUAN DAVILA 1423

Roger Benjamin (with an essay by David Prochaska), Renoir and Algeria, New Haven: Yale University Press, 2003. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1445

Maria Fossi Todorow, Gauguin, Buenos Aires: Editorial Atlantida, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 1552

October. Issues present: 27 (Winter 1983), 37 (Summer 1986), 44 (Spring 1988), 74 (Fall 1995) each with essays on aspects of nineteenth century French painting of special interest to Juan Davila.

JUAN DAVILA 1415-1418

Darcy Grimaldo Grigsby, Extremities: Painting Empire in Post-Revolutionary France, New Haven: Yale University Press, 2002. Owner's signature and embossed initials on title page.

JUAN DAVILA 0405

Honoré Daumier, Politicians, New York: Tabard Press, nd. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1553

Bruce Laughton, Honoré Daumier, New Haven: Yale University Press, 1996. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0406

Henk Van Os and Sjeng Scheijen, Ilya Repin: Russia's Secret, Groningen: Groninger Museum, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0404

Modern Painters. Spring 1996 issue (with article on Cezanne). Owner's signature and embossed initials on Contents page.

JUAN DAVILA 0414

Art in America, May 1989 issue (with article on Courbet & Salon Politics).

JUAN DAVILA 0348

'Origins of Impressionism' (exhibition at The Metropolitan Museum of Art, New York, 27 September 1994-8 January 1995). Special issue of Connaisance des Arts. Owner's signature and embossed initials.

JUAN DAVILA 0349

The Great Artists: Their lives, works and inspiration, A Marshall Cavendish Weekly Collection Selected issues only: 10 (Goya),

11 (Millais)

12 (Delacroix)

14 (Manet)

20 (Courbet)

Copies each with owner's signature and embossed initials.

JUAN DAVILA 0409

JUAN DAVILA 0410

JUAN DAVILA 0408

JUAN DAVILA 0407

JUAN DAVILA 0411

List prepared by Dr John Thompson in Melbourne and Sydney, March-August 2007.

Barbara Rose, Claes Oldenburg, New York: The Museum of Modern Art, 1969. Owner's signature and embossed initials on title page.

JUAN DAVILA 0876

Galeria Leandro Navarro, Holyrood: Roberto Gonzalez Fernandez Pintura 1991-93, Madrid: Galeria Leandro Navarro, 1993. owner's signature and embossed initials on title page.

JUAN DAVILA 0973

Elizabeth Claridge, The Girls of Mel Ramos, Chicago: Playboy Press, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 1051

Roland Penrose, Man Ray, London: Thames and Hudson, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 0894

Sarane Alexandrian, Hans Bellmer, New York: Rizzoli, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 1034

Jaap M. Hemelrijk, Melle: schilder, aquarellist, tekenaar, Amsterdammer, Haarlem: Joh, Enschedé en Zonen, 1988. Inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 1036

J.P. Hodin, Edvard Munch, New York: Praeger, 1974. Owner's signature and embossed initials on title page.

JUAN DAVILA 0868

Jörg Immendorff, Branenburger tor Weltfrage (Brandenburg Gate Universal Question), New York: The Museum of Modern Art, 1982. author's inscription to Juan Davila. Owner's signature and embossed initials on title page.

JUAN DAVILA 0875

John A. Walker, Art Since Pop, London: Thames and Hudson, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 0865

Geneviève Lacambre, Gustave Moreau: Maitre sorcier, Paris: Gallimard, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0864

Arnauld Pierre, Fernand Léger: Peindre la vie moderne, Paris: Gallimard, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0863

Sidney Lawrence, Roger Brown, New York: George Braziller, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 0897

Lawrence Alloway, Lichtenstein, New York: Abbeville, 1983. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0896

René Magritte und der surrealismus in Belgien, Brüssel, Editions Lebeer Hossmann, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0869

Jonathan Borofsky, New York: Whitney Museum of American Art, 1984. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 0870

Simon Wilson, Pop, London: Thames and Hudson, 1974. Owner's signature and embossed initials on title page.

JUAN DAVILA 0866

Judith Goldman, James Rosenquist, Denver: Denver Art Museum, 1985. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1045

Jean Lipman and Richard Marshall, Art about Art, New York: E.P. Dutton, 1978. Owner's signature and embossed initials on title page.

JUAN DAVILA 0895

John Coplans (ed.), Roy Lichtenstein, London: Allen Lane, 1973. Owner's signature and embossed initials on title page.

JUAN DAVILA 0867

Roy Lichtenstein: Mural with Blue Brush-Stroke, New York: Harry N. Abrams, 1987. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0873

Roy Lichtenstein: A Drawing Retrospective (10 April-12 May 1984), New York: James Goodman Gallery, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0872

Lichtenstein (3 December 1983-14 January 1984), New York: Leo Castelli, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1044

Jörg Immendorff: Café Deutschland and Related Works (7 October-2 December 1984), Oxford: Museum of Modern Art, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0874

Nikos Stangos (ed.), Pictures by David Hockney, New York: Harry N. Abrams, 1979. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1053

Komar & Melamid, (10 August-21 September 1985; 6 October-1 December 1985), Oxford: Museum of Modern Art, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1046

Francis Bacon: Recent Paintings (26 April-7 June 1980), New York: Marlborough Gallery, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0899

Ferdinand Hodler (2 March-24 April 1983; 11 May-24 July 1983; 19 August-23 October 1983), Berlin: Nationalgalerie Berlin, 1983. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0893

Baroness Kizette de Lempicka-Foxhall, Passion by Design: The Art and Times ofTamara de Lempicka (as told to Charles Phillips), New York: Abbeville, 1987. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0154

Peter Halley (6 December 1991-2 February 1992), Bordeaux: capcMusée d'art contemporain, 1991. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0129

Stuart Morgan and Frances Morris, Rites of Passage: Art for the End of the Century, London: Tate Gallery, 1995. Owner's signature and embossed initials on title page.

JUAN DAVILA 0126

Edward Lucie-Smith, Art for Today: From Abstract Expressionism to Surrealism, Oxford: Phaidon, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 0120

Manual of Instructions for Marcel Duchamp Étant Donnés: 1 La Chute d'Eau; 2 Le Gazd'Éclairage … Philadelphia: Philadelphia Museum of Art, 1987. Facsimile notebook. Owner's signature and embossed initials on front cover of accompanying four sheet printed essay.

JUAN DAVILA 1105

Barbara Haskell, Blam! The Explosion of Pop, Minimalism, and Performance 1958-1964, New York: Whitney Museum of American Art, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 0147

Eric Fischl Paintings, Saskatoon: Mendel Art Gallery, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0148

Arawaka and Madeline H. Gins, The Mechanism of Meaning: work in Progress (1963-1971, 1978). Based on the method of Arawaka, New York: Harry N. Abrams, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0122

Douglas Cooper and Gary Tinterow, The Essential Cubism: Braque, Picasso & theirfriends 1907-1920, London: The Tate Gallery, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0124

Gail Levin, Edward Hopper: The Art and the Artist, New York: W.W. Norton, 1980. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0118

Uwe M. Schneede, George Grosz: his Life and Work, London: Gordon Fraser, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0125

Simon Schama, Rembrandt's Eyes, London: Penguin Books, 2000. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0130

Howard Arkley/The Home Show, Australian Pavilion, 48^th Venice Biennale of Art 1999, Sydney: Australia Council for the Arts, 1999. Signature Howard Arkley '99. Owner's signature and embossed initials on contents page.

JUAN DAVILA 0119

Jill Lloyd and Magdalena M. Moeller (eds), Ernst Ludwig Kirchner: The Dresden andBerlin Years, London: Royal Academy of Arts. Owner's signature and embossed initials on title page.

JUAN DAVILA 1275

Diane Waldman, Roy Lichtenstein, New York: Guggenheim Museum, 1993. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0117

Fernand Leger (essays by Robert T. Buck, Edward F. Fry, Chalotta Kotik), New York: Abbeville, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0123

John Russell, Matisse Father & Son, New York: Harry N. Abrams, 1999. Owner's signature and embossed initials on title page.

JUAN DAVILA 0121

John Richardson, The Sorcerer's Apprentice: Picasso, Provence and Douglas Cooper, London: Jonathan Cape, 1999. owner's signature and embossed initials on front preliminary page.

JUAN DAVILA 0152

Leger and the Modern Spirit (1918-1931): An Avant-Garde Alternative to Non ObjectiveArt, Paris: Musée d'Art Moderne de la Ville de Paris, 1982. Owner's signature and embossed initials on title page.

JUAN DAVILA 0128

Joan Miró: A Retrospective, New York: Solomon R. Guggenheim Museum, 1987. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0146

William Rubin (ed.), Pablo Picasso: A Retrospective, New York: The Museum of Modern Art, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 0160

Roy Lichtenstein Interiors, New York: Hudson Hills Press, 1999. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0159

Werner Spies (ed.), Max Ernst: A Retrospective, Munich: Prestel, 1991. Owner's bookplate, signature and embossed initials on half-title page.

JUAN DAVILA 0979

Werner Spies, Max Ernst - Loplop: The Artist's Other Self, London: Thames and Hudson, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0156

Robert Mapplethorpe: Photographs, Amsterdam: Galerie Jurka, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 0157

Henri Matisse, Jazz, New York: George Braziller, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0158

John Elderfield, Henri Matisse: A Retrospective, New York: The Museum of Modern Art, 1992. Owner's signature and embossed initials on title page.

JUAN DAVILA 0155

Leonardo da Vinci, New York: Reynal and Company, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 0948

Edward Ruscha, Guacamole Airlines and Other Drawings by Edward Ruscha, New York: Harry N. Abrams, 1980. Owner's signature and embossed initials on title page.

JUAN DAVILA 1106

Old Masters -New Visions:El Greco to Rothko from The Philips Collection,Washington DC, Canberra: Australian National Gallery, 1987. Owner's signature and embossed initials on title page.

JUAN DAVILA 1107

Claude Monet: Painter of Light, Auckland: Auckland City Art Gallery, 1985. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1110

Ann d'Harnoncourt and Kynaston McShine (eds), Marcel Duchamp, New York: The Museum of Modern Art, 1973. Owner's signature and embossed initials on title page.

JUAN DAVILA 1108

Henry Geldzahler, Pop Art 1955-70, Sydney: International Cultural Corporation of Australia, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 0877

Emmanuel Lévinas, De l'oblitération, Paris: Editions de la Différence, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1127

Janet Kardon, David Sale, Philadelphia: institute of Contemporary Art, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1126

Veronique Helmridge-Marsillian, Stewart MacFarlane: Riddles of Life, Sydney: Craftsman House, 1996. Inscription to Juan Davila from Stewart MacFarlane. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1120

David Sylvester, Interviews with Francis Bacon, London: Thames and Hudson, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 1121

Francis Bacon (26 October 1971-10 January 1972; 7 March-7 May 1972), Paris: Centre national d'art contemporain, 1972. Owner's signature and embossed initials on title page.

JUAN DAVILA 1125

Donald B. Kuspit, Fables and Fantasies organized by Duke University Museum of Artfrom the collection of Susan Kasen and Robert D. Summer, Duke University Museum of Art, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1122

Who Chicago? An Exhibition of Contemporary Imagists, Sunderland: Sunderland Arts Centre, 1980. owner's signature and embossed initials on front preliminary page.

JUAN DAVILA 1155

America: Art and the West, Sydney: The American-Australian Foundation for the Arts and the International Cultural Corporation of Australia, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1094

Jonathan Borofsky, Philadelphia: Philadelphia Museum of Art, 1984. Owner's signature and embossed initials on title page.

JUAN DAVILA 1093

Judi Freeman, The Dada & Surrealist Word-Image, Los Angeles: Los Angeles County Museum of Art, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 1170

Alanna Heiss, Dennis Oppenheim: Selected Works 1967-90, New York: The Institute for Contemporary Art, 1990. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 1109

Frederick R. Brandt, Late 20^thCentury Art: Selections from the Sydney and FrancesLewis Collection in the Virginia Museum of Fine Arts, Richmond: Virginia Museum of Fine Arts, 1985. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1503

Arte Abstracto y Arte Figurativo, Barcelona: Salvat Editores, 1973. Owner's signature and embosses initials on title page.

JUAN DAVILA 1420

Tilman Osterwold, Pop Art, Cologne: Taschen, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1438

Peter Halley, Collected Essays 1981-1987, Zürich: Bruno Bischofberger Gallery, 1989. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1422

20^th Century Masters from the Metropolitan Museum of Art, Canberra: Australian National Gallery, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 1099

The Moderns, Sydney: Art Gallery of New South Wales, 1984. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1156

Books Do Furnish a Room: Phaidon Catalogue 1998-9, London: Phaidon, 1989. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1103

Cornelia Parker- cold dark matter: an exploded view, London: Chisenhale Gallery, 1991. Owner's signature and embossed initials on title page.

JUAN DAVILA 1102

Gereon Lepper, London: Chisenhale Gallery, 1992.Owner's signature and embossed initials on title page.

JUAN DAVILA 1101

Bill Woodrow & Richard Deacon: Only the Lonely and other shared sculptures, London: Chisenhale Gallery, nd. Owner's signature and embossed initials on title page.

JUAN DAVILA 1100

Ursula Hoff (ed.), The Melbourne Dante Illustrations by William Blake, Melbourne: National Gallery of Victoria, 1974. Owner's signature and embossed initials on verso of front cover.

JUAN DAVILA 1104

Hermann NitschDas Orgien Mysterien Theater 1960-1983, Eindhoven:Van Abbesmuseum, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 1095

Alma Gilbert, The Make Believe World of Maxfield Parrish and Sue Lewin, San Francisco: Pomegranate Artbooks, 1990. Owner's signature and embossed initials on title page.

JUAN DAVILA 1096

Peter Webb (with Robert Short), Hans Bellmer, London: Quartet Books, 1985. Owner's signature and embossed initials on title page.

JUAN DAVILA 1389

Christian Boltanski, Compra-Venta, Vols. 1-2 in slip-case. Valencia: Concorci de Museus de la Comunitat Valenciana, 1998. Owner's signature and embossed initials on title pages.

JUAN DAVILA 1412, JUAN DAVILA 1413

Colin Naylor and Genesis P-Orridge, Contemporary Artists, London: St James Press, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 1212

Jacques Meuris, René Magritte, Cologne: Taschen, 1991. Owner's signature and embossed initials on half- title page.

JUAN DAVILA 0471

Norbert Wolf, Diego Velázquez 1599-1660: The Face of Spain, Cologne: Taschen, 2005. Owner's signature and embossed initials on title page.

JUAN DAVILA 0473

Jonathan Brown and Carmen Garrido, Velázquez: The Technique of Genius, New Haven: Yale University Press, 1998. Owner's signature and embossed initials on title page.

JUAN DAVILA 0469

Dawson W. Carr, Velázquez, London: National Gallery Company, 2006. Owner's signature and embossed initials on title page.

JUAN DAVILA 0679

Bruce Bernard, The Bible and its Painters, London: Orbis Publishing, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0678

Brian Wallis (ed.), Hans Haacke: Unfinished Business, New York: The New Museum of Contemporary Art, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0472

Jacques Dopagne, Magritte, Paris: Ferand Hazan, 1977. Owner's signature and embossed initials on title page.

JUAN DAVILA 1421

Hilton Kramer, Richard Lindner, London: Thames and Hudson, 1975. Owner's signature and embossed initials on title page.

JUAN DAVILA 1452

Joseph Beuys, Arbeiten aus Münchener Sammlungen mit einem texte von Armin Zweite, Munich: Stadt. Galerie im Lenbachhaus, 1981. Owner's signature and embossed initials on title page.

JUAN DAVILA 1499

Bruce S. Harris, The Collected Drawings of Aubrey Beardsley, New York: Bounty Books, 1967. Owner's signature and embossed initials on title page.

JUAN DAVILA 1500

The World of M.C. Escher, New York: Harry N. Abrams, 1971. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 1502

Alexandrian, Marcel Duchamp, Paris: Flammarion, 1976. Owner's signature and embossed initials on title page.

JUAN DAVILA 1501

Allen Jones: Sheer Magic (text by Marco Livingstone), London: Thames and Hudson, 1979. Owner's signature and embossed initials on title page.

JUAN DAVILA 1453

David Larkin (ed.), Magritte, London: Pan/Ballantine1972. Owner's signature and embossed initials on title page.

JUAN DAVILA 1496

Terry Ann R. Neff, In the Mind's Eye: Dada and Surrealism, Chicago: Museum of Contemporary Art, 1986. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0982

Lincoln Kirstein, Paul Cadmus, San Francisco: Pomegranate Artbooks, 1992. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 1497

Eva Karcher, Otto Dix 1891-1969: His Life and Works, Cologne: Taschen, 1988. Owner's signature and embossed initials on title page.

JUAN DAVILA 1437

Lou Klepac, Giorgio Morandi: The Dimension of Inner Space, Sydney: The Art Gallery of New South Wales, 1997. Owner's signature and embossed initials on title page.

JUAN DAVILA 0975

Giuliano Briganti, Fantastic and Visionary Painting, London: Bloomsbury Books, 1989. Owner's signature and embossed initials on title page.

JUAN DAVILA 0983

Maurice Tuchman (ed.), The Spiritual in Art: Abstract Painting 1890-1985, Los Angeles, Los Angeles County Museum of Art, 1986. Owner's signature and embossed initials on preliminary page.

JUAN DAVILA 0044

Marco Livingstone, R.B Kitaj, Oxford: Phaidon, 1985. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0981

Pontus Hulten, Futurismo & Futurismi, Milan: Bompiani, 1986. Owner's signature and embossed initials on title page.

JUAN DAVILA 0467

Jeff Wall, Pepe Espaliu, Valenciana: Concorcis de museus de la Comunitat Valenciana, 1999. Owner's signature and embossed initials on contents page.

JUAN DAVILA 0511

Richard Hamilton, Collected Words 1953-1982, London: Thames and Hudson nd [1982?]. Owner's signature and embossed initials on title page.

JUAN DAVILA 0474

Diane Kelder (ed.), Stuart Davis, New York: Praeger, 1971. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0478

R.L. Gregory and E.H. Gombrich, Illusion in Nature and Art, London: Duckworth, 1973. Owner's signature and embossed initials on half-title page.

JUAN DAVILA 0476

Dias & Riedweg Le Monde Inachevé, Paris: Le-Plateau-Fonds régional d'Art Contemporain d'Ile-de-France, 2005. Inscribed to Juan Davila from Guy Brett. Owner's signature and embossed initials on title page.

JUAN DAVILA 0509

Pissarro: Painting, Pastel, Watercolour, Drawing, Melbourne: Toloarno Galleries, 1983. Owner's signature and embossed initials on title page.

JUAN DAVILA 0475